Description: By all accounts the 1960s and 1970s marked one of the most vibrant, experimental, audacious, and - above all - contentious periods in the history of avant-garde modernism. This seminar will examine the momentous shift from the international dominance of American Abstract Expressionism in the 1950s to a wide array of global counter-movements in the 1960s and 70s. Possible topics include: Happenings, Minimalism, Fluxus, Conceptualism, Nouveau Realisme, Body Art, Structuralist Film, Gutai, Light and Space, Noeconretism, Arte Povera, The Situationist International, etc. Graduate students will be expected to complete all the requirements of the class in addition to writing a substantial research paper. Cross-list: HART 461. Mutually Exclusive: Cannot register for HART 559 if student has credit for HART 461.