Course Schedule - Spring Semester 2027

     

Meeting location information can now be found on student schedules in ESTHER (for students) or on the Course Roster in ESTHER (for faculty and instructors).
Additional information available here.

COLL 172 001 (CRN: 26926)

CONTEMPORARY FILM

Long Title: FRAME BY FRAME: THE ART OF CONTEMPORARY FILM (WIESS)
Department: College Courses
Instructors:
Zimmerman, Carissa
Kelifa, Iyad
Meeting: 6:00PM - 6:50PM T (11-JAN-2027 - 23-APR-2027) 
Part of Term: Full Term - No WL Purge
Grade Mode: Satisfactory/Unsatisfactory
Course Type: Lecture
Language of Instruction: Taught in English
Method of Instruction: Face to Face
Credit Hours: 1
Course Syllabus:
Course Materials: Rice Campus Store
 
Restrictions:
Must be enrolled in one of the following Level(s):
Undergraduate Professional
Visiting Undergraduate
Undergraduate
Section Max Enrollment: 19
Section Enrolled: 0
Waitlisted: 0 (Max 99) 
Current members of the waitlist have priority for available seats.
Enrollment data as of: 2-NOV-2026 8:00AM
 
Additional Fees: None
 
Final Exam: No Final Exam
 
Description: This course takes a close look at many films from the last couple of decades, across genres and styles. We'll move from intimate character studies like Aftersun to psychological thrillers like Fight Club to genre-bending multiverse chaos like Everything Everywhere all at Once. We will be spending one or two class sessions on each film depending on how much there is to unpack. Every two weeks you’ll watch one assigned film either at the weekly screening or on your own. In class, we'll rewatch important scenes and break down how they work: cinematography, editing, sound, and performance. We'll also dig into what each film is saying, why it landed when it did, and how it fits into the wider cultural/global moment. By the end of the course, students will be able to: Identify and break down a scene using the basic tools of film form: (cinematography, editing, sound, mise-en-scene, and performance) Connect a director’s technical choices to a film’s themes and emotional effect. Analyze a film's themes in relation to its social, historical, and cultural context. Compare how filmmakers use or subvert genre conventions. Build and present an original argument of a film to an audience