Description: What is this so-called contemporary art world that is seemingly everywhere? Can everything in everyday existence be considered art? Is that good for art? Is it good for life? In this seminar, we will attempt to engage with many of the paradigms of contemporary art as it has developed in the wake of political, theoretical, and aesthetic engagements of the 1990s and 2000s. How have social media, spectacular and/or “immersive” culture, and the ever-expanding global reach of art market forces changed what was once considered the artistic potential that characterized the historical and neo-avant-garde. Is contemporary art unmoored from its historical engagement and responsibilities? Has contemporary art become just a glitch or meme? What might an art of resistance look or smell like? To broach these and other matters, seminar participants will engage in intensive critical reading and lively discussions with experts from the global art community—artists, critics, art historians, and curators, among others. Topics studied will include identity, abstraction, topicality, erotics, historical beholdenness, ir/responsibility, and their complex interrelatedness and fun. Cross-list: ARTS 350.