Description: This is a public-facing writing/workshop class that focuses on poetry: what it is; how we read it; and why it matters- both historically and today. No prior experience with poetry or with public-facing writing is required, just openness, interest, and curiosity. Students will read a range of poems and poets from different pasts and presents, honing their interpretive sensitivity and examining poetry’s enduring capacity to move, fascinate, amaze, and incite. Students will come away from the workshop with greater confidence in reading poems and greater attunement to the subtleties of literary language and the pleasures of poetic form. Most importantly, students will gain the craft skills needed to write about poetry for a generally educated audience. In the process, the course will ask students to think in meaningful and rigorous ways about what writing for a “public” audience requires–about how effectively to convey some of the specialized academic knowledge they are acquiring at Rice to readers outside of their academic in-group: to online and published media, maybe prospective employers, even family and friends (for example). Students work together, alternately as authors and editors, on six short-form writing assignments, including reviews, poet profiles, and poem deep-dives (think LitHub, The Guardian “Poem of the Week,” Medium, The New York Times “Close Read.”) The assignments are collaborative and aimed at refining and elevating student prose through peer editing and in-class workshopping.