Course Schedule and Catalog

Department: Medical Humanities

Meeting: 1:00PM - 2:15PM TR (8-JAN-2024 - 19-APR-2024) 

Part of Term: Full Term

Grade Mode: Standard Letter

Course Type: Lecture

Language of Instruction: Taught in English

Method of Instruction: Face to Face

Credit Hours: 3

 

Section Max Enrollment: 25

Section Enrolled: 24

Enrollment data as of: 26-DEC-2024 8:05PM

 

 

Final Exam: Scheduled Final Exam-OTR Room

 

Description: Medicine is scary business. So is the body. This course proposes to document the role of literature, painting, popular music, and, especially, cinema have played in memorializing our shared dread over not just the human body’s failures, but also their treatment. While primarily focused on the American twentieth century, this course will begin in Romantic-era Britain with Mary Shelley’s Frankenstein, and will culminate in the very-recent past with Jordan Peele’s Get Out. Along the way, we will attend to the 70s slasher film, the work of body horror’s cinematic dean, David Cronenberg, Japanese cyberpunk, extreme metal and grindcore lyrics, the paintings of Lucien Freud and Francis Bacon, high postmodern literature, any many more texts. We will propose to ask what these narratives can tell us about why we fear the body & its dangers, as well as how that anxiety has changed over time, both in response to changing medical/surgical technology and other developments. These questions will in turn find us asking whether the horrors of embodiment and medicine are inflected by the specificities of the body in question—axes, that is to say, of gender, sex, sexuality, race, and ability. Is there a reason why the overwhelming majority of directors working in medical horror are straight white men? Do depictions of medical aberrations stage and exorcise fears about the otherness about the nonwhite, queer, or female body? Do they enact sadistic fantasies of seeing into—and possibly destroying—these bodies? This course counts towards the elective requirements for the MDHM minor.