Description: GENDER, SUBJECTIVITY, & THE HISTORY OF PHOTOGRAPHY
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This course will examine a range of subjects within the history, theory, and criticism of photography, including the relationship between commodification, eroticism, and the objectification of the body, and the intersecting issues of mechanical reproduction, authorship, and authenticity in modern and postmodern discourses.
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Enrollment limited to 15.
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Also offered as HART 365. Cross-list: HART 365.