Course Schedule - Fall Semester 2025

     

Meeting location information can now be found on student schedules in ESTHER (for students) or on the Course Roster in ESTHER (for faculty and instructors).
Additional information available here.

AAAS 211 001 (CRN: 14978)

AFRICAN MODERNISM

Long Title: AFRICAN MODERNISM
Department: African & African Amer Studies
Instructor: Muvhuti, Tichapera
Meeting: 4:00PM - 5:15PM MW (25-AUG-2025 - 5-DEC-2025) 
Part of Term: Full Term
Grade Mode: Standard Letter
Course Type: Lecture
Language of Instruction: Taught in English
Distribution Group: Distribution Group I
Method of Instruction: Face to Face
Credit Hours: 3
Course Syllabus:
Course Materials: Rice Campus Store
 
Restrictions:
Must be enrolled in one of the following Level(s):
Undergraduate Professional
Visiting Undergraduate
Undergraduate
Section Max Enrollment: 20
Section Enrolled: 3
Total Cross-list Max Enrollment: 20
Total Cross-list Enrolled: 8
Waitlisted: 0 (Max 198) 
Current members of the waitlist have priority for available seats.
Enrollment data as of: 20-APR-2025 6:48PM
 
Additional Fees: None
 
Final Exam: No Final Exam
 
Description: This course introduces students to the modern art of Africa, drawing attention to its variants in the continent’s different local and regional geographies. Defined by art historian Clement Emeka Akpang (2016) as the intersection of art with political and social concerns, the era of modernism marked a phase of great experimentation in art characterised by the introduction of new ideas, new media, and a shift in the materiality and many other aspects of art. As such, African artists were part of it, yet as Partha Mitter (2008) argues, the discourse of modernism, is an ‘unmarked case’ that implicitly stands for ‘Western’ modernism. In the course, students will cover different aspects of African modernism discourses drawing from literature and artworks from at least each of the continent’s major regions. The main objective is to gain insights into Africa’s contribution to global art. Besides the few celebrated African modernists known in the West, by the end of the course students will have amassed considerable knowledge of more artists ‘on the other side of modernity’ as these will be highlighted throughout the course. Cross-list: HART 211.