Course Schedule and Catalog

Long Title: AP/OTH CREDIT IN ART HISTORY

Department: Art History

Grade Mode: Standard Letter

Course Type: Transfer

Credit Hours: 3

Description: This course provides credit for students who have successfully completed approved examinations, such as Advanced Placement Exams. This credit counts toward the total credit hours required for graduation, but does not count toward total credit hours required for the Art History Major.

Long Title: INTRODUCTION TO THE HISTORY OF WESTERN ART I: ANTIQUITY TO GOTHIC

Department: Art History

Grade Mode: Standard Letter

Course Type: Lecture

Distribution Group: Distribution Group I

Credit Hours: 4

Description: A survey of painting, sculpture, and architecture from Antiquity through the 15th century. Students will also attend a one-hour weekly tutorial with a teaching assistant. Cross-list: CLAS 102, MDEM 111.

Long Title: INTRODUCTION TO THE HISTORY OF WESTERN ART II: RENAISSANCE TO PRESENT

Department: Art History

Grade Mode: Standard Letter

Course Type: Lecture

Distribution Group: Distribution Group I

Credit Hours: 4

Description: A survey of painting, sculpture, and architecture from the Renaissance through the 20th century.

Long Title: INTRODUCTION TO THE HISTORY OF ASIAN ART

Department: Art History

Grade Mode: Standard Letter

Course Type: Lecture

Credit Hours: 3

Description: Survey of Asian art from the Neolithic period to the present.

Long Title: KEY MONUMENTS AND ARTISTS OF WESTERN ART

Department: Art History

Grade Mode: Standard Letter

Course Type: Lecture

Distribution Group: Distribution Group I

Credit Hours: 3

Description: An in-depth look at important moments in the history of European and American art, from the Renaissance to the 20th century. Rather than being a comprehensive survey, the course will focus on a limited number of works by leading artists in the fields of painting, sculpture, and architecture.

Long Title: THE PARTHENON AND PERIKLEAN ATHENS

Department: Art History

Grade Mode: Standard Letter

Course Type: Seminar

Distribution Group: Distribution Group I

Credit Hours: 3

Description: In this course, we will trace the history and mythology of the Parthenon. We begin with the dawn of sacred tradition on the Acropolis, then explore the classical recreation of the city, the conversion of the Parthenon into a church, its subsequent destruction and the current debate over restoration. This course is limited to first-year students only, any others will be removed from this course. Cross-list: ARCH 110, CLAS 103, FSEM 113.

Long Title: FROM FREUD TO LE CORBUSIER: PSYCHOANALYSIS, ART AND ARCHITECTURE

Department: Art History

Grade Mode: Standard Letter

Course Type: Seminar

Distribution Group: Distribution Group I

Credit Hours: 3

Description: This seminar presents a selected range of key psychoanalytic concepts, which have been used by artists and architects to develop their practices and by theoreticians and critics to explain the production or experience of art and architecture. A typical week pairs a theoretical text with a work of art or architecture. This course is limited to first-year students only, any others will be removed from this course. Cross-list: FSEM 117.

Long Title: CULTURE OF THE RUSSIAN REVOLUTION

Department: Art History

Grade Mode: Standard Letter

Course Type: Seminar

Distribution Group: Distribution Group I

Credit Hours: 3

Description: Following the 1917 Revolution, Soviet society initiated radical experiments not only in political and governmental structures but in all aspects of culture and everyday life. This class will examine these developments focusing on avant-garde experiments in cinema, literature and the visual arts, as well as philosophical and political debates around the meaning of revolution itself. This course is limited to first-year students only, any other students will be removed from this course. Cross-list: FSEM 118.

Long Title: CINEMA AND MODERNITY

Department: Art History

Grade Mode: Standard Letter

Course Type: Seminar

Distribution Group: Distribution Group I

Credit Hours: 4

Description: This class focuses on cinema as a primary cultural product of industrial capital ism, whose processes of mechanization and urbanization fundamentally changed everyday life. Classes will focus on films by Chaplin, Lang, Eisenstein, Hitchcock, and others, and encompass issues of technology and representation, shock and trauma, and crime and the city. This course is limited to first-year students only. Cross-list: FSEM 181.

Long Title: INTRODUCTION TO AFRICAN ART HISTORY

Department: Art History

Grade Mode: Standard Letter

Course Type: Independent Study

Credit Hours: 3

Description: This is an introductory course on African art from the 15th to 20th centuries, ranging from a study of archaeological objects to sculpture and masks from the colonial period and beyond. The course will meet at the Menil Collection: numbering close to 1000 objects, the de Menils' collection includes a range of masks and sculptures from West and Central Africa that allow for a first hand introduction to various cultures on the continent.

Long Title: ROMAN VS GREEK: QUESTIONING THE DEFINITION OF ART IN THE ANCIENT MEDITERRANEAN WORLD

Department: Art History

Grade Mode: Standard Letter

Course Type: Seminar

Distribution Group: Distribution Group I

Credit Hours: 3

Description: What's in a name? Apparently a lot. For 500 years--since the Renaissance--scholars have cleaved Roman and Greek art from one another and this division has defined how we think about art in antiquity. In this freshman seminar, we will question this paradigm. Looking at art from around the Mediterranean and reading the very scholarship that has both created these definitions and questioned them, we will work toward a new way of conceiving the art of the Ancient Mediterranean world. This course is limited to first-year students only, any others will be removed from this course. Cross-list: CLAS 179, FSEM 179.

Long Title: 14 FILMS YOU SHOULD SEE BEFORE YOU GRADUATE FROM RICE UNIVERSITY

Department: Art History

Grade Mode: Standard Letter

Course Type: Seminar

Distribution Group: Distribution Group I

Credit Hours: 4

Description: Featuring the important, but less familiar works of American and European directors from the 1930s - 1960s. This class represents an ideal mixture of modernist auteur cinema and shameless viewing pleasure. Cross-list: FILM 180.

Long Title: ROME: INCEPTION TO EMPIRE

Department: Art History

Grade Mode: Standard Letter

Course Type: Lecture

Credit Hours: 3

Description: The history of Ancient Roman art spans a period of more than 1500 years that saw the birth of Christianity, Aristotelian philosophy, religious, republican popular government, military rule and myriad political, philosophical, religious, economic, anthropological and gender issues that have fundamentally shaped the subsequent history of the world. In short, a study of Roman art presents a study of humanistic and sociological change in microcosm. In the course you will gain a thorough overview of those issues through lecture and discussion on all manner of art and architecture from the Roman world.

Long Title: ART SINCE 1945

Department: Art History

Grade Mode: Standard Letter

Course Type: Lecture

Credit Hours: 3

Description: This course introduces the major developments, figures, and works of late modernism beginning with the shift, during the 1940s, from Paris to New York as the cultural center of avant-garde. The class charts the rise of Abstract Expressionism in the 1940s and 50s and follows its divided legacies in the 1960s and 70s. We will examine the post-modern debates of the 1980s and the 90s and conclude with a look at trends in contemporary art.

Long Title: FOURTEEN ARTWORKS AT THE MFAH

Department: Art History

Grade Mode: Standard Letter

Course Type: Lecture

Credit Hours: 3

Description: This course is designed to provide students with no previous background in art history with an introduction to the discipline through the "in situ" study of 14 works from the permanent collection of The Museum of Fine Arts, Houston. Some of the topics to be addressed include British aristocratic portraiture, French Impressionist painting, the aesthetic dialogues of Matisse and Picasso, the abstracted sculptures of Brancusi and Calder, and the site-specific installation of Turrell's light tunnel.

Long Title: INTRODUCTION TO ASIAN CIVILIZATIONS

Department: Art History

Grade Mode: Standard Letter

Course Type: Seminar

Distribution Group: Distribution Group I

Credit Hours: 3

Description: A team-taught interdisciplinary course focusing on certain major philosophical, religious and artistic traditions of pre-modern Asia, with an emphasis on the historical processes by which ideas, people, products, technologies and skills circulated within and beyond state boundaries. Cross-list: ASIA 211, HIST 206.

Long Title: ART AND POLITICS IN ANCIENT ROME

Department: Art History

Grade Mode: Standard Letter

Course Type: Lecture

Credit Hours: 3

Description: In this course, you will learn to navigate the testy waters of artistic and political design in ancient Rome, when monumental architecture and exquisite art was often created for personal gain. Throughout the semester we will explore how would-be rulers used visual culture for professional self-aggrandizement. Cross-list: CLAS 236.

Long Title: HISTORY & THEORY I (INTRO)

Department: Art History

Grade Mode: Standard Letter

Course Type: Lecture

Distribution Group: Distribution Group I

Credit Hours: 3

Description: This introductory course exposes student's issues and debates that have driven architects and theorists from the early twentieth century to the present. The course is structured around a sequence of fourteen themes that have recurred as major issues throughout architectural history. Focusing on topics, ranging from representation, to media, to politics, urbanity, or the environment, teach theme is presented as a debate between differing viewpoints, in order to expose the positions that have motivated both theory and practice. In weekly discussion sections, we will be analyzing buildings and discussing canonical texts. These sections provide opportunities for students to develop their own positions on the issues debated, and to refine their ability to make arguments. Cross-list: ARCH 225, Graduate/Undergraduate Equivalency: HART 545. Mutually Exclusive: Cannot register for HART 225 if student has credit for HART 545.

Long Title: ART IN CONTEXT: LATE MEDIEVAL AND RENAISSANCE CULTURE

Department: Art History

Grade Mode: Standard Letter

Course Type: Lecture

Distribution Group: Distribution Group I

Credit Hours: 3

Description: This course will be concerned with the art, architecture, and history of the late Middle Ages and Renaissance. We will employ historical texts, literature, and illustrations of works of art, showing how historical documents and sources can illuminate the cultural context of art and architecture. Cross-list: HUMA 108, MDEM 108.

Long Title: CONTEMPORARY EUROPEAN CINEMA

Department: Art History

Grade Mode: Standard Letter

Course Type: Seminar

Credit Hours: 4

Description: This class examines trends in European cinema of the last fifteen years. Particular attention will be given to the issues of history, memory and national identity in Europe's shifting geopolitical climate, and to the formal and aesthetic concerns with which filmmakers responded to these shifts. The discussion will include films by Michael Haneke, Fatih Akin, Christian Mingiu and others. Cross-list: FILM 250.

Long Title: EPISODES IN THE HISTORY OF PHOTOGRAPHY: FROM INVENTION TO THE PRESENT

Department: Art History

Grade Mode: Standard Letter

Course Type: Lecture

Credit Hours: 3

Description: Roland Barthes described the emergence of photography in the early nineteenth century as an “anthropological revolution in man’s history,” a “truly unprecedented type of consciousness”. This lecture class aims to examine this proposition be examining the history of photography in the nineteenth century as it develops within a number of specific thematics, from the medium’s conception in the late 18th century through to debates in the 20th century about photography’s relationship to artistic and social issues. The structure of the class will allow for individual sessions to combine a formal, illustrated presentation with some detailed discussion of particular images and texts. Taken as a whole, the class will look at photography as a cultural phenomenon as much as an art form, critically studying the various discursive arenas that this new medium helped to foster and refine. Credit cannot be received for both HART 263 and HART 363. Mutually Exclusive: Cannot register for HART 263 if student has credit for HART 363.

Long Title: A VISUAL CULTURE TRAVELOGUE: ART AND POLITICS IN MODERN LATIN AMERICA

Department: Art History

Grade Mode: Standard Letter

Course Type: Lecture

Distribution Group: Distribution Group I

Credit Hours: 3

Description: Providing an alternative understanding of modernity and its artistic partner, modernism, this survey course traverses the political, social and cultural landscapes that informed and formed the art and architecture of Latin America, from the early twentieth century to the present. Mutually Exclusive: Cannot register for HART 265 if student has credit for HART 665.

Long Title: HISTORY AND AESTHETICS OF FILM

Department: Art History

Grade Mode: Standard Letter

Course Type: Seminar

Distribution Group: Distribution Group I

Credit Hours: 4

Description: Introduction to the art and aesthetics of film as an artifact produced within certain social contexts. Includes style, narration, mise-en-scene, editing, sound, and ideology in classical Hollywood cinema, as well as in independent, alternative, nonfiction, and Third World cinemas. Cross-list: ARTS 280, FILM 280.

Long Title: THE BEGINNINGS OF CINEMA

Department: Art History

Grade Mode: Standard Letter

Course Type: Seminar

Credit Hours: 3

Description: This class studies the emergence of cinema in the context of cultural developments at the turn of the 20th century. Early films will be examined together with such contemporaneous issues as technologies of vision, modern mass culture, urban expansion and consumerism. Cross-list: FILM 281.

Long Title: AUTEUR FILM: CASE STUDIES OF THREE AUTEURS

Department: Art History

Grade Mode: Standard Letter

Course Type: Lecture

Credit Hours: 3

Description: This course will explore the tradition of auteur filmmaking, with an emphasis on how this particular artistic mode situates itself within the evolving system of Hollywood institutional film. The auteur, in contrast to other filmmakers, exhibits unparalleled control over the production and post-production processes and is uniquely identifiable through the notable conventions of aesthetics, style, theme, content, atmosphere, etc. FILM 485/HART 481 ( 4 Credit Hours ) will require completion of additional coursework for the additional credit than the FILM 285/HART 283 (3 Credit Hours). Credit may not be received for more than one of FILM 285 or FILM 485 or Hart 283 or HART 481. Cross-list: FILM 285. Mutually Exclusive: Cannot register for HART 283 if student has credit for HART 481.

Long Title: NONFICTION FILM

Department: Art History

Grade Mode: Standard Letter

Course Type: Seminar

Distribution Group: Distribution Group I

Credit Hours: 4

Description: Introduction to the history and aesthetics of nonfiction film as both a social artifact and as a work of art. Includes discussions of actualities, the city film, the social documentary, surrealist cinema, propaganda, ethnography, the essay film, and the contemporary nonfiction film from around the world. Cross-list: FILM 284.

Long Title: INTRODUCTION TO FILM

Department: Art History

Grade Mode: Standard Letter

Course Type: Seminar

Credit Hours: 4

Description: This writing-intensive course will teach students to view films analytically and write film criticism. Each week, students will view a film, read some criticism of that film, and write their own view of the film. Screenings will be taken from important movements in world cinema history. Cross-list: ENGL 275, FILM 273.

Long Title: CLASSICAL AND CONTEMPORARY FILM AND THEORY

Department: Art History

Grade Mode: Standard Letter

Course Type: Lecture

Credit Hours: 3

Description: A course focusing on contexts such as movies and ads, familiar plots and conventions define their significance. Cross-list: ENGL 286.

Long Title: SPECIAL TOPICS IN FILM AND MEDIA STUDIES

Department: Art History

Grade Mode: Standard Letter

Course Type: Seminar

Credit Hours: 1 TO 6

Description: Special topics and new course in film and media studies, not necessarily repeated. May be used in awarding transfer credit. Instructor Permission Required. Repeatable for Credit.

Long Title: SPECIAL TOPICS IN MUSEUM CURATORIAL STUDIES

Department: Art History

Grade Mode: Standard Letter

Course Type: Seminar

Credit Hours: 3

Description: Special Topics class taught by visiting Curators from the MFAH. SP 2015: Intro to Islamic Art at the MFAH: This course explores the dynamic, multifaceted character of Islamic art and architecture across the globe. Travel from Spain to India studying original art at the Museum of Fine Arts. Gain understanding of the historical, religious, social, craft, and visual contexts of the art. Graduate/Undergraduate Equivalency: HART 597. Mutually Exclusive: Cannot register for HART 297 if student has credit for HART 597.

Long Title: SPECIAL TOPICS IN ART THEORY AND CRITICISM

Department: Art History

Grade Mode: Standard Letter

Course Type: Independent Study

Credit Hours: 1 TO 6

Description: Independent study, reading, or special research in art history. Instructor Permission Required. Repeatable for Credit.

Long Title: INDEPENDENT STUDY IN ART THEORY AND CRITICISM

Department: Art History

Grade Mode: Standard Letter

Course Type: Independent Study

Credit Hours: 1 TO 6

Description: Independent study, reading, or special research in art history. Instructor Permission Required. Repeatable for Credit.

Long Title: MUSEUM INTERN

Department: Art History

Grade Mode: Standard Letter

Course Type: Internship/Practicum

Credit Hours: 3

Description: The aim of this course is to provide select students a practicum in museum work accompanied by an introduction to a history of museums, including the varieties of museums, their role in society and significant issues in museums today. Instructor Permission Required.

Long Title: MUSEUM INTERN PROGRAM II

Department: Art History

Grade Mode: Standard Letter

Course Type: Internship/Practicum

Credit Hours: 1 TO 6

Description: The aim of this course is to provide select students a practicum in museum work accompanied by an introduction to a history of museums, including the varieties of museums, their role in society and significant issues in museums today. Instructor Permission Required.

Long Title: FROM THE SUBLIME TO THE SUSTAINABLE: ART, ARCHITECTURE AND NATURE

Department: Art History

Grade Mode: Standard Letter

Course Type: Seminar

Credit Hours: 3

Description: This seminar considers theories and narratives of nature in the crafting of modern and contemporary art and architecture in the Americas. Artists and architects will include Maria Fernanda Cardoso, Rogelio Salmona (Colombia); Ana Mendieta, Ricardo Porro (Cuba); Ana Maria Tavaraes, Lina Bo Bardi (Brazil); Mark Dion and Buckminster Fuller (USA). Graduate/Undergraduate Equivalency: HART 568. Mutually Exclusive: Cannot register for HART 302 if student has credit for HART 568.

Long Title: INDEPENDENT STUDY

Department: Art History

Grade Mode: Standard Letter

Course Type: Independent Study

Credit Hours: 3

Description: Independent Study in Art History. Instructor Permission Required.

Long Title: A REVOLUTION FROM WITHIN: TRENDS IN CONTEMPORARY CUBAN CULTURE

Department: Art History

Grade Mode: Standard Letter

Course Type: Seminar

Distribution Group: Distribution Group I

Credit Hours: 3

Description: This research seminar will explore contemporary trends in Cuban culture through literary texts, films, music and works of art. We will examine the ways in which politics and the practices of artistic representation intersect in post-revolutionary Cuba. A research trip to Cuba has been organized as part of this seminar. Course taught in Spanish. Instructor Permission Required.Cross-list: FILM 339, SPAN 392, Graduate/Undergraduate Equivalency: HART 565. Mutually Exclusive: Cannot register for HART 304 if student has credit for HART 565.

Long Title: AVANT GARDE AND AFTER: ART IN EUROPE, 1900-1945

Department: Art History

Grade Mode: Standard Letter

Course Type: Seminar

Credit Hours: 3

Description: This class surveys European art from roughly 1900-1945, paying particular attention to the social contexts in which this work emerged and the interpretive strategies that have been used to understand it. Among the topics to be considered are Cubism, Futurism, Constructivism, Dada, and Surrealism, as well as the reaction against these by emergent authoritarian regimes of the 1930s. Graduate/Undergraduate Equivalency: HART 505. Mutually Exclusive: Cannot register for HART 305 if student has credit for HART 505.

Long Title: THE THEATER OF THE WORLD: ART, ARCHITECTURE, & URBANISM IN RENAISSANCE ROME

Department: Art History

Grade Mode: Standard Letter

Course Type: Seminar

Credit Hours: 3

Description: This course examines the visual culture of Renaissance Rome through the prism of the papacy and urban experience. We will study architecture, urban schemes, fresco cycles, altarpieces, illuminated manuscripts, sculptures, spectacles, and processions, including some of the most famous artistic projects produced in the period: the papal apartments frescoed by Raphael, Michelangelo's work in the Sistine Chapel, and the building of the new St. Peter's.

Long Title: TECHNICAL ART HISTORY: STUDYING THE TECHNIQUES OF WESTERN PAINTING, 13TH-20TH CENTURIES

Department: Art History

Grade Mode: Standard Letter

Course Type: Lecture

Credit Hours: 3

Description: Art historians, especially in the United States, tend to rely on photographs, but a study of the actual object is invaluable in studying works of art. This course aims to inform students about the technical study of art, which in the last fifty years has become a major field of research. Most classes will be held at the Museum of Fine Arts, Houston, or other Houston collections. Graduate/Undergraduate Equivalency: HART 549. Mutually Exclusive: Cannot register for HART 307 if student has credit for HART 549.

Long Title: LIVING IN THE CITY IN THE OTTOMAN EMPIRE

Department: Art History

Grade Mode: Standard Letter

Course Type: Seminar

Credit Hours: 3

Description: Seminar combines primary and secondary sources to explore the urban experiences of Ottoman men and women in the 18th and early 19th centuries. Looking at several cities including Istanbul, Izmir, Salonika, Damascus, Aleppo and Alexandria, we will discuss such issues as neighborhood and community life, public spaces and recreational culture perceptions of space, urban institutions, Muslim and non-Muslim relations, migration and marginality, violence and death. Reading knowledge of French and /or Turkish helpful but not necessary. Cross-list: ARCH 318, Graduate/Undergraduate Equivalency: HART 508. Mutually Exclusive: Cannot register for HART 308 if student has credit for HART 508.

Long Title: THE DAWN OF ROME: GENERATING THE URBAN, SOCIAL AND POLITICAL LIFE OF THE ETERNAL CITY

Department: Art History

Grade Mode: Standard Letter

Course Type: Seminar

Credit Hours: 3

Description: In this course you will uncover the roots of the Eternal City, Rome. Through analysis of archaeological remains, art historical methodologies and theories of social space, intentionality, structuration and agency, you will question how and why Rome became a city and a culture the reshaped the world. The course will focus on the first 500 years of Roman art and society, ca. 800-300 BCE, looking closely at the kingship of Rome, the genesis of the Roman Republic, and the ability to understand a distant culture through artistic manufacture, materiality and philosophical shift. Cross-list: CLAS 309, Graduate/Undergraduate Equivalency: HART 509. Mutually Exclusive: Cannot register for HART 309 if student has credit for HART 509.

Long Title: BRAZIL BUILT: THE CLINIC, THE TROPICAL, AND THE AESTHETIC

Department: Art History

Grade Mode: Standard Letter

Course Type: Seminar

Credit Hours: 3

Description: From Brazil Builds, MOMA's 1943 celebrated exhibition to Brasilia, the supermodern capital created ex-nihilo in the middle of nowhere, to today's worldwide attention on Brail, this seminar examines the built environment - natural and architectural - as the main transmitter of modernism in Brazil. This is a seminar on Brazilian modernism and its discontents. Cross-list: ARCH 315, Graduate/Undergraduate Equivalency: HART 526. Mutually Exclusive: Cannot register for HART 310 if student has credit for HART 526.

Long Title: ART AND ARCHAEOLOGY OF THE ANCIENT NEAR EAST

Department: Art History

Grade Mode: Standard Letter

Course Type: Lecture

Credit Hours: 3

Description: An in-depth examination of the art and archaeology of ancient Mesopotamia, Syria, Anatolia and Persia. Beginning in The Neolithic period, we will examine the development of Near Eastern art and architecture through the study of ancient sites and their associated material culture. Cross-list: ANTH 331, Graduate/Undergraduate Equivalency: HART 511. Mutually Exclusive: Cannot register for HART 311 if student has credit for HART 511.

Long Title: VIRTUAL RECONSTRUCTION OF HISTORICAL CITIES

Department: Art History

Grade Mode: Standard Letter

Course Type: Research

Credit Hours: 3

Description: This course, part of the HRC’s Digital Humanities Initiative, is devoted to the virtual reconstruction of ancient urban landscapes with focus on individual buildings in their urban settings. All course activities will be based around interdisciplinary student teams who will work together through the semesters to complete a virtual reconstruction project. Instructor Permission Required.Cross-list: ANTH 346, ARCH 310, COMP 316.

Long Title: SPECIAL TOPICS IN ANCIENT ART

Department: Art History

Grade Mode: Standard Letter

Course Type: Seminar

Credit Hours: 3

Description: This course will introduce you to the major monuments of Rome, Pompeii, and Herculaneum. We will focus not only on the history and functions of these monuments in antiquity but also on how their meaning and representation has changed and evolved in the post-classical world. Instructor Permission Required.Cross-list: CLAS 321. Repeatable for Credit.

Long Title: EIGHTEENTH CENTURY EUROPEAN ART

Department: Art History

Grade Mode: Standard Letter

Course Type: Lecture

Credit Hours: 3

Description: This course considers the painting, sculpture, architecture, decorative and graphic arts of the 1700s in relation to important social and ideological developments of the period. These include the decline of traditional patronage, the rising idea of an art public, and the spread of skeptical attitudes about received authority. Graduate/Undergraduate Equivalency: HART 550. Mutually Exclusive: Cannot register for HART 320 if student has credit for HART 550.

Long Title: IMPERIAL CITY: ISTANBUL 1453-1922

Department: Art History

Grade Mode: Standard Letter

Course Type: Seminar

Credit Hours: 3

Description: This thematic seminar examines significant historical moments in the architectural and urban cultural of the Ottoman imperial capital from the moment it was conquered until the demise of the Ottoman empire. Weekly readings and discussions will cover a range of topics including building patronage, architectural decorum, the Byzantine legacy, artistic relations with Persia, India and Europe, cultural pluralism, neighborhood and public life, law and urban order, modernity and modernization. Cross-list: ARCH 331, Graduate/Undergraduate Equivalency: HART 521. Mutually Exclusive: Cannot register for HART 321 if student has credit for HART 521.

Long Title: JERUSALEM TO ISFAHAN

Department: Art History

Grade Mode: Standard Letter

Course Type: Seminar

Credit Hours: 3

Description: A seminar on key topics of the study of visual cultures in the medieval and early modern Muslim world focused on specific works of art. Politics of architectural patronage, dissemination of visual languages, calligraphy, "ornament" and figural representation in Islam, cross-cultural exchanges and trans-religious iconographies are among the topics discussed. Cross-list: ARCH 332, Graduate/Undergraduate Equivalency: HART 522. Mutually Exclusive: Cannot register for HART 322 if student has credit for HART 522.

Long Title: MATERIAL, FORM, SPACE, TIME: CONCRETE AND THE REVOLUTION OF SPACE IN ANCIENT ROME

Department: Art History

Grade Mode: Standard Letter

Course Type: Lecture

Credit Hours: 3

Description: "Architectural Revolution" has been tied to Le Corbusier, the Eiffel Tower, the Louvre, Brunelleschi and to towering Gothic cathedrals. At the foundation of all these endeavors is the Concrete Revolution in Roman Architecture. In this course we'll look at the four essential elements of this revolution from the fourth century BCE to the fifth century CE, and we'll investigate how shifts in application and experience created a background that informs design to this day. Cross-list: ARCH 326, CLAS 326, Graduate/Undergraduate Equivalency: HART 626. Mutually Exclusive: Cannot register for HART 326 if student has credit for HART 626.

Long Title: THE GENESIS OF ROMAN ART

Department: Art History

Grade Mode: Standard Letter

Course Type: Lecture

Credit Hours: 3

Description: This course explores the roots of the art and architecture of ancient Rome (ca. 600-200 BCE). In it we will examine the earliest vestiges of sculpture, painting and architecture from the Archaic and Classical periods to the twisted forms of Hellenistic conquest. You will grapple with the questions of cultural agency, connoisseurship, cultural interaction, network and object theories and spatial imagination to question standard narratives that divide Rome in this time from neighboring Greek polities. Graduate/Undergraduate Equivalency: HART 627. Mutually Exclusive: Cannot register for HART 327 if student has credit for HART 627.

Long Title: EPIPHANIES: SEEING IN A NEW LIGHT AND RECOGNIZING THE RADIANCE

Department: Art History

Grade Mode: Standard Letter

Course Type: Seminar

Distribution Group: Distribution Group I

Credit Hours: 3

Description: Epiphanies are events or objects that can note a striking appearance or manifestation, just as an epiphanic experience contains a significant moment of revelation. This course examines expressions of epiphanies in modernist art, literature, film, sacred experience, and in the mundane details of life itself. Cross-list: RELI 375.

Long Title: STREETS AND URBAN LIFE: PARIS TO ISTANBUL

Department: Art History

Grade Mode: Standard Letter

Course Type: Lecture

Credit Hours: 3

Description: Exploration of the street as a focus of urban life in 18th and 19th century. We will look at ways streets functioned as spaces of livelihood, sociability, and transgression in cities such as London, Paris, Istanbul, Amsterdam and Cairo. Cross-list: ARCH 329, HIST 329, Graduate/Undergraduate Equivalency: HART 529. Mutually Exclusive: Cannot register for HART 329 if student has credit for HART 529.

Long Title: EARLY MEDIEVAL ART

Department: Art History

Grade Mode: Standard Letter

Course Type: Lecture

Distribution Group: Distribution Group I

Credit Hours: 3

Description: Early Medieval Art from the 5th Century to the Romanesque period. This course begins with a study of the art and architecture of the Ostrogoths, Visigoths, Lombards, Celts, Anglo-Saxons, Franks, and Merovingians, and the transformation of the Roman World through new Germanic, Barbarian, and Christian forces. The second part of the course considers the cultural Renaissance of the Carolingian and Ottonian Periods under rulers such as Charlemagne and Otto III. The last third of the course focuses on themes of pilgrimage, relics, crusades and the emergence of new monumental tradition in art and architecture during the Romanesque Period. Cross-list: MDEM 330, Graduate/Undergraduate Equivalency: HART 530. Mutually Exclusive: Cannot register for HART 330 if student has credit for HART 530.

Long Title: GOTHIC ART

Department: Art History

Grade Mode: Standard Letter

Course Type: Lecture

Distribution Group: Distribution Group I

Credit Hours: 3

Description: Examination of the full array of sacred art and architecture produced in the early and high gothic periods in northern Europe. Includes cathedral architecture, sculpture, stained glass, manuscripts, and metalwork studies in relationship to the expansion of royal and Episcopal power. Cross-list: MDEM 331, Graduate/Undergraduate Equivalency: HART 531. Mutually Exclusive: Cannot register for HART 331 if student has credit for HART 531.

Long Title: ART OF THE COURTS

Department: Art History

Grade Mode: Standard Letter

Course Type: Lecture

Distribution Group: Distribution Group I

Credit Hours: 3

Description: Examination of art and architecture produced in the late gothic period within three distinct settings--the court, the city, and the church. Includes private, public, and religious life as expressed in the objects, architecture, and decoration of the castle and palace, the house, the city hall and hospital, and the chapel and parish church. Cross-list: MDEM 332, Graduate/Undergraduate Equivalency: HART 532. Mutually Exclusive: Cannot register for HART 332 if student has credit for HART 532.

Long Title: LOOKING AT EUROPEAN PRINTS 1400-1700

Department: Art History

Grade Mode: Standard Letter

Course Type: Seminar

Credit Hours: 3

Description: The class has several goals: to gain a thorough historical understanding of prints by major masters as Schongauer, Mantegna, Düer, and Rembrandt as well as more popular prints, explore key issues in the study of prints, such as how they revolutionized European culture, their patronage, markets, functions, and techniques; and to examine the prints first-hand. Graduate/Undergraduate Equivalency: HART 525. Mutually Exclusive: Cannot register for HART 333 if student has credit for HART 525.

Long Title: PICASSO, POLLOCK, WARHOL

Department: Art History

Grade Mode: Standard Letter

Course Type: Seminar

Credit Hours: 3

Description: This seminar will look in detail at three of the twentieth century's most important artists: Pablo Picasso, Jackson Pollock, and Andy Warhol. Our central focus in doing so will be painting, in particular, the means by which these three artists tested, expanded or even "destroyed" the medium. What did it mean to make (or reject) painting in 1910, 1950, and 1965? Special attention will be paid to recent scholarly literature and close looking at works in local collections. Graduate/Undergraduate Equivalency: HART 546. Mutually Exclusive: Cannot register for HART 334 if student has credit for HART 546.

Long Title: CINEMA AND THE CITY

Department: Art History

Grade Mode: Standard Letter

Course Type: Seminar

Distribution Group: Distribution Group I

Credit Hours: 3

Description: This class explores representations of the city in 20th and 21st century world cinema. Central concerns will include the city as cinematic protagonist, parallels between urban and cinematic space and the intertwined histories of both film and urban design over the last century. Cross-list: ASIA 355, FILM 336, Graduate/Undergraduate Equivalency: HART 536. Mutually Exclusive: Cannot register for HART 336 if student has credit for HART 536.

Long Title: AMERICAN ART AND ARCHITECTURE I: 1620-1800

Department: Art History

Grade Mode: Standard Letter

Course Type: Lecture

Credit Hours: 3

Description: Painting, architecture, urban design, and the decorative arts in the colonies and early United States. Highlights will include design at Monticello and Mount Vernon; the portraiture of John Singleton Copley; Georgian and Federal-period architecture in Boston, New York, Williamsburg, and Philadelphia; and Spanish and Dutch colonial art and architecture. Graduate/Undergraduate Equivalency: HART 539. Mutually Exclusive: Cannot register for HART 339 if student has credit for HART 539.

Long Title: NORTHERN RENAISSANCE ART

Department: Art History

Grade Mode: Standard Letter

Course Type: Lecture

Distribution Group: Distribution Group I

Credit Hours: 3

Description: Study of art in northern Europe from Jan van Eyck to Peter Bruegel. Cross-list: MDEM 340, Graduate/Undergraduate Equivalency: HART 553. Mutually Exclusive: Cannot register for HART 340 if student has credit for HART 553.

Long Title: EARLY RENAISSANCE ART IN ITALY

Department: Art History

Grade Mode: Standard Letter

Course Type: Lecture

Credit Hours: 3

Description: Study of Italian art and architecture from Giotto to Botticelli, with emphasis on painting and sculpture in the 15th century. Graduate/Undergraduate Equivalency: HART 541. Mutually Exclusive: Cannot register for HART 341 if student has credit for HART 541.

Long Title: THE HIGH RENAISSANCE AND MANNERISM IN ITALY

Department: Art History

Grade Mode: Standard Letter

Course Type: Lecture

Distribution Group: Distribution Group I

Credit Hours: 3

Description: Study of the High Renaissance, with emphasis on its leading masters (e.g., Leonardo, Raphael, Bramante, Michelangelo, and Titian). Includes a study of mannerism, the stylish art produced after the first quarter of the 16th century. Graduate/Undergraduate Equivalency: HART 542. Mutually Exclusive: Cannot register for HART 342 if student has credit for HART 542.

Long Title: MASTERS OF THE BAROQUE ERA

Department: Art History

Grade Mode: Standard Letter

Course Type: Lecture

Distribution Group: Distribution Group I

Credit Hours: 3

Description: Study of the works of the greatest painters and sculptors in Europe during the Baroque period. Includes Rembrandt, Rubens, Caravaggio, Poussin, Claude, and Velazquez. Cross-list: MDEM 343, Graduate/Undergraduate Equivalency: HART 543. Mutually Exclusive: Cannot register for HART 343 if student has credit for HART 543.

Long Title: HISTORY AND THEORY II - PRE 1890

Department: Art History

Grade Mode: Standard Letter

Course Type: Lecture

Distribution Group: Distribution Group I

Credit Hours: 3

Description: An in-depth exploration as to why select monuments from Antiquity through the 19th century were 'canonized' in popular imagination and given referential status. Following a case study format, each week will focus on a particular building, built or unbuilt, from both Western and Eastern traditions. Cross-list: ARCH 345.

Long Title: SEMINAR ON LOVE: MAKING LOVE IN MODERN ART AND THOUGHT

Department: Art History

Grade Mode: Standard Letter

Course Type: Seminar

Credit Hours: 3

Description: This seminar explores various conceptions of love from the classical era to our postmodern age. Ranging from eros to philia to agape, we will examine literary, philosophical, and artistic expressions of love in painting, cinema, literature, psychoanalysis, philosophy, religion, and culture. Cross-list: SWGS 346.

Long Title: SEX, LOVE, AND SPIRIT

Department: Art History

Grade Mode: Standard Letter

Course Type: Seminar

Distribution Group: Distribution Group I

Credit Hours: 3

Description: This seminar explores the themes of love, sex, and spirit from the classical era through the postmodern age. We will examine literary, philosophical, and artistic expressions in painting, sculpture, cinema, novels, poetry, psychoanalysis, religion, and culture. Cross-list: RELI 343.

Long Title: A REVOLUTION FROM WITHIN: TRENDS IN CONTEMPORARY CUBAN CULTURE

Department: Art History

Grade Mode: Standard Letter

Course Type: Research

Credit Hours: 1

Description: This research seminar will explore contemporary trends in Cuban culture through literary texts, films, music and works of art. We will examine the ways in which politics and the practices of artistic representation intersect in post-revolutionary Cuba. A research trip to Cuba has been organized as part of this seminar. This course is taught in Spanish. Graduate students will be required to complete all the requirements for the course in addition to writing a substantial research paper at the end of the semester. This is the credit for the actual trip to Cuba. Graduate/Undergraduate Equivalency: HART 548. Mutually Exclusive: Cannot register for HART 348 if student has credit for HART 548.

Long Title: TRENDS IN CONTEMPORARY ART

Department: Art History

Grade Mode: Standard Letter

Course Type: Seminar

Credit Hours: 3

Description: This seminar will map the terrain of contemporary art as it has developed in the wake of political and theoretical engagements of the 1990's. For many critics, Contemporary Art practice has given way to the worst aspects of spectacular culture losing sight of the political, theoretical, and artistic rigor that characterized the historical and neo-avant-garde.

Long Title: SCIENCE AND MEDICINE IN MEDIEVAL VISUAL CULTURE

Department: Art History

Grade Mode: Standard Letter

Course Type: Lecture

Credit Hours: 3

Description: This course focuses on the diverse and often unexpected forms of medieval representation that intersect with science, medicine, and natural history: maps, diagrams, images from health and surgery guides, encyclopedic compendia of animals and plants, astrolabes. Optics and theories of vision, and the ideals of naturalism and perspective, will be examined alongside issues such as function, cultural exchange, and intellectual authority. Cross-list: MDEM 352, Graduate/Undergraduate Equivalency: HART 650. Mutually Exclusive: Cannot register for HART 350 if student has credit for HART 650.

Long Title: ART, REVOLUTION, WAR: MODERN ART IN VIOLENT TIMES

Department: Art History

Grade Mode: Standard Letter

Course Type: Seminar

Credit Hours: 3

Description: This seminar examines the ambition (or lack thereof) of modern art to play an active role during periods of violent conflict. From the French Revolution to the recent disastrous American engagements in the Middle East wars to the never-ending war on terror, artists have produced images that attempt to actively engage in these conflicts. This class will examine the relative successes and failures of art during times of violent revolution and war within the modern era. Graduate/Undergraduate Equivalency: HART 651. Mutually Exclusive: Cannot register for HART 351 if student has credit for HART 651.

Long Title: TWENTIETH CENTURY ART IN EUROPE

Department: Art History

Grade Mode: Standard Letter

Course Type: Lecture

Credit Hours: 3

Description: Exploration of major developments in painting and sculpture from the 1880s to the 1940s. Includes impressionism and post-impressionism, expressionism, cubism, abstraction. Dada, and surrealism, with a brief consideration of architecture and photography.

Long Title: AGE OF ROMANTICISM IN EUROPE

Department: Art History

Grade Mode: Standard Letter

Course Type: Seminar

Credit Hours: 3

Description: This course will consider the emergence and flourishing of Romanticism in the visual arts in Europe. We will consider artists from France, Germany and Britain, including Eugene Delacroix, J.M.W. Turner, John Constable and Caspar David Friedrich. We will combine study of paintings with readings of contemporaneous philosophers and writers, including Hegel and Byron. Graduate/Undergraduate Equivalency: HART 554. Mutually Exclusive: Cannot register for HART 354 if student has credit for HART 554.

Long Title: JACQUES-LOUIS DAVID: REVOLUTION

Department: Art History

Grade Mode: Standard Letter

Course Type: Seminar

Credit Hours: 3

Description: This class will consider the painting of Jacques-Louis David with particular reference to the ideas of revolution. This seminar will combine close reading and looking, using primary and secondary readings to explore issues of classicism, politics, eroticism, and aesthetics in the work of this central figure in art history. Graduate/Undergraduate Equivalency: HART 555. Mutually Exclusive: Cannot register for HART 355 if student has credit for HART 555.

Long Title: CONSTABLE AND TURNER

Department: Art History

Grade Mode: Standard Letter

Course Type: Seminar

Credit Hours: 3

Description: This seminar will explore critical issues surrounding the careers of John Constable and J.M.W. Turner, arguably the greatest landscape painters of the early 19th century. We will look at both similarities and differences in the work of these two rivals, while considering their work in the context of great historical change in England. Graduate/Undergraduate Equivalency: HART 547. Mutually Exclusive: Cannot register for HART 357 if student has credit for HART 547.

Long Title: IMPRESSIONISM AND POST-IMPRESSIONISM

Department: Art History

Grade Mode: Standard Letter

Course Type: Lecture

Credit Hours: 3

Description: This class will explore painting in France from approximately 1865 to 1900. Mixing lectures and classroom discussion, we will focus on individual artists including Claude Monet, Edgar Degas, Mary Cassatt, Georges Seurat, Vincent van Gogh, and Paul Czanne. We will also consider and discuss a set of critical issues surrounding these painters, including the politics of gender and class within the changing urban setting of Paris. Graduate/Undergraduate Equivalency: HART 558. Mutually Exclusive: Cannot register for HART 358 if student has credit for HART 558.

Long Title: AMERICAN ARCHITECTURE AND DECORATIVE ARTS BEFORE 1900

Department: Art History

Grade Mode: Standard Letter

Course Type: Lecture

Credit Hours: 3

Description: Major topics will include the furniture styles of early America, the architecture of colonial cities, the life, thought, and architectural ideas of Thomas Jefferson, urban design and building projects in Washington, D.C., and other U.S. cities, and domestic life and interior design in 19th century America. Cross-list: ARCH 360, Graduate/Undergraduate Equivalency: HART 560. Mutually Exclusive: Cannot register for HART 360 if student has credit for HART 560.

Long Title: LATE MODERN ART: 1945 - PRESENT

Department: Art History

Grade Mode: Standard Letter

Course Type: Lecture

Credit Hours: 3

Description: This course introduces the major developments, key figures and significant works of late Modernism. Covering a period from roughly 1945-Present, we will trace modernism's unfolding in the avant-garde practices of the 2nd half of the 20th century. Beginning with the shift from Paris to New York as the cultural center of the avant-garde, the rise of Abstract Expressionism & its divided legacies. Graduate/Undergraduate Equivalency: HART 562. Mutually Exclusive: Cannot register for HART 362 if student has credit for HART 562.

Long Title: HISTORY OF PHOTOGRAPHY

Department: Art History

Grade Mode: Standard Letter

Course Type: Seminar

Credit Hours: 3

Description: Roland Barthes described the emergence of photography in the early nineteenth century as an "anthropological revolution in man's history," a "truly unprecedented type of consciousness." This lecture class aims to examine this proposition by examining the history of photography in the nineteenth century as it develops within a number of specific thematics, from the medium's conception in the late 18th century through to debates in the 20th century about photography's relationship to artistic and social issues. The structure of the class will allow for individual sessions to combine a formal, illustrated presentation with some detailed discussion of particular images and texts. Taken as a whole, the class will look at photography as a cultural phenomenon as much as an art form, critically studying the various discursive arenas that this new medium helped to foster and redefine. Credit cannot be received for both HART 263 and HART 363. Mutually Exclusive: Cannot register for HART 363 if student has credit for HART 263.

Long Title: THE RISE OF CAPITALISM AND LATE MEDIEVAL AND EARLY MODERN ART

Department: Art History

Grade Mode: Standard Letter

Course Type: Lecture

Distribution Group: Distribution Group I

Credit Hours: 3

Description: This course will explore how the rise of capitalism affected late medieval and early modern art. It will explore depictions of avarice, charity, and poverty; representations of shopping; how the rise of the art market affected art production; images of different socio-economic classes, and the material culture of money. Cross-list: MDEM 363, Graduate/Undergraduate Equivalency: HART 584. Mutually Exclusive: Cannot register for HART 364 if student has credit for HART 584.

Long Title: ART BETWEEN THE WARS: EUROPEAN MODERNISM, 1918-1940

Department: Art History

Grade Mode: Standard Letter

Course Type: Seminar

Credit Hours: 3

Description: Beginning in the aftermath of the First World War, a conflict that devastated the physical and psychological landscape of Europe, and ending with the rise of various totalitarian regimes (Fascism, Stalinism) this seminar will examine European art of the interwar period, from 1918-1940. Potential topics will include Surrealism, The Russian avant-garde, the return to order, Esprit-Nouveau, the machine aesthetic, De Stijl, avant-garde cinema, etc. Graduate/Undergraduate Equivalency: HART 575. Mutually Exclusive: Cannot register for HART 365 if student has credit for HART 575.

Long Title: AMERICAN ART FROM GEORGIA O'KEEFFE TO ANDY WARHOL

Department: Art History

Grade Mode: Standard Letter

Course Type: Lecture

Credit Hours: 3

Description: This course will examine a range of topics in American and European art from the 1920s to the 1960s. Our subjects will include the machine aesthetic, cultural nationalism, social realist and regionalist practice, the New York School, and Pop art. Intense methodological reading will accompany visual analysis.

Long Title: MODERN AND CONTEMPORARY ART: FROM POLLOCK TO THE PRESENT

Department: Art History

Grade Mode: Standard Letter

Course Type: Lecture

Credit Hours: 3

Description: This course will examine a range of topics in American and European art from the 1950s to the present. Our subjects will include Abstract Expressionism, Pop art, body and performance art, deconstruction, postmodernism, minimalism, and art in the digital age.

Long Title: (RE)DEFINING (CLASSICAL) ART HISTORY: DIVISION, CONNECTIVITY AND SHIFT IN THE ANCIENT MEDITERRANEAN

Department: Art History

Grade Mode: Standard Letter

Course Type: Seminar

Credit Hours: 3

Description: For 500 years scholars have cleaved Roman and Greek art from one another in order to define the heart of antiquity. The scholarship that created such division is the very scholarship that created the discipline of Art History and redefined it through iconographical, social historical and broadly theoretical analysis: Windelmann, Droysen, Brendel, Deleuze, Gell. In this seminar, we will question the disciplinary paradigm. Looking at art from around the Mediterranean and reading the very scholarship that has both created these definitions and questioned them, we will work toward a new way of conceiving the art of the Ancient Mediterranean world. Cross-list: CLAS 323, Graduate/Undergraduate Equivalency: HART 569. Mutually Exclusive: Cannot register for HART 369 if student has credit for HART 569.

Long Title: NOTHING AND EVERYTHING IN THE HISTORY OF ART

Department: Art History

Grade Mode: Standard Letter

Course Type: Seminar

Credit Hours: 3

Description: This seminar examines the linked themes of plentitude and absence of creating and dissolution, in modern art. Specific topics will include representations of magic, fire, water, clouds, the void, blindness, sublimity and wonderment, surprise and astonishment, love and ravishment, and the idea of "the unknown masterpiece."

Long Title: CHINESE PAINTING

Department: Art History

Grade Mode: Standard Letter

Course Type: Lecture

Distribution Group: Distribution Group I

Credit Hours: 3

Description: This course examines Chinese painting from ancient times to the early twentieth century. Issues of examination include themes, styles, and functions of Chinese painting; the interrelationship between paintings and the intended viewers; regionalism; images and words; foreign elements in Chinese painting. Cross-list: ASIA 371, Graduate/Undergraduate Equivalency: HART 571. Mutually Exclusive: Cannot register for HART 371 if student has credit for HART 571.

Long Title: CHINESE ART AND VISUAL CULTURE

Department: Art History

Grade Mode: Standard Letter

Course Type: Lecture

Distribution Group: Distribution Group I

Credit Hours: 3

Description: In this course, we will study how various artistic styles developed in historical, social, and cultural contexts from the ancient period to the present day. Through the careful examination of architecture, calligraphy, painting, sculpture, ceramics, bronze, and film, students will gain a deeper understanding of Chinese art and visual culture. Cross-list: ASIA 372, MDEM 373, Graduate/Undergraduate Equivalency: HART 572. Mutually Exclusive: Cannot register for HART 372 if student has credit for HART 572.

Long Title: METHODOLOGY SEMINAR: WORD AND IMAGE

Department: Art History

Grade Mode: Standard Letter

Course Type: Seminar

Credit Hours: 3

Description: Art history is the craft of putting images into words. This course explores the question of how words and images intersect in the visual arts. Readings of some key texts on the subject will be followed by a series of case studies concerning specific artistic genres and issues. Topics include: narrative in painting; the frame and the caption; character and face in portraiture; the word as image in calligraphy; and sound and image in film. Through its readings and cases, the course will provide students a focused introduction to art historical theories and methods.

Long Title: EAST & WEST: MEDIEVAL VISUAL CULTURE IN CHINA AND NORTHERN EUROPE

Department: Art History

Grade Mode: Standard Letter

Course Type: Seminar

Distribution Group: Distribution Group I

Credit Hours: 3

Description: This course explores a series of issues that are critically important for the medieval art of both China and northern Europe. Topics include materials and techniques; public and private art: commerce, technology and prints; art and motion; archaeology; paradise and hell; maps and space; the gaze; erotica; patronage; and multiculturalism. Cross-list: ASIA 376, MDEM 376, Graduate/Undergraduate Equivalency: HART 576. Mutually Exclusive: Cannot register for HART 376 if student has credit for HART 576.

Long Title: THE AGE OF REMBRANDT

Department: Art History

Grade Mode: Standard Letter

Course Type: Lecture

Credit Hours: 3

Description: This course will examine Dutch and Flemish seventeenth-century art, including major masters, such as Rembrandt, Rubens, and Vermeer, and major developments, such as the rise of still life, genre, and landscape painting. Cross-list: MDEM 378, Graduate/Undergraduate Equivalency: HART 578. Mutually Exclusive: Cannot register for HART 378 if student has credit for HART 578.

Long Title: POST-1945 JAPANESE ART & ARCHITECTURE

Department: Art History

Grade Mode: Standard Letter

Course Type: Seminar

Credit Hours: 3

Description: This course investigates post-1945 Japanese art and architecture, contextualized as part of the nation's modern history, and with a particular focus on the socially and politically turbulent decades of the 1950s and 60s. Using artistic collectivism as a methodology, the course examines a wide range of collaborations in visual art and architecture, as seen in exhibitions, performances, and publications. Cross-list: ARCH 371, ASIA 379, Graduate/Undergraduate Equivalency: HART 579. Mutually Exclusive: Cannot register for HART 379 if student has credit for HART 579.

Long Title: SURVEY OF AMERICAN FILM AND CULTURE

Department: Art History

Grade Mode: Standard Letter

Course Type: Seminar

Distribution Group: Distribution Group I

Credit Hours: 4

Description: A course that explores the history of cinema in the U.S. from its origins to the present day. Cross-list: ENGL 373, FILM 373.

Long Title: COLLAGE AND ITS HISTORIES

Department: Art History

Grade Mode: Standard Letter

Course Type: Seminar

Credit Hours: 3

Description: This class will explore the centrality of collage to the development of the 20th century art and film. Beginning with the seminal achievements of Picasso and Braque, we will examine works across geographical and medium boundaries, including Dada photomontage, early avant-garde film, 1960s happenings, and the reformulation of collage aesthetics in 1980s postmodernism. Graduate/Undergraduate Equivalency: HART 581. Mutually Exclusive: Cannot register for HART 381 if student has credit for HART 581.

Long Title: MODALITIES OF CINEMA

Department: Art History

Grade Mode: Standard Letter

Course Type: Seminar

Credit Hours: 3

Description: In this course we will survey the range of organizing principles in cinema - the differing and combative ways cinema arranges its images and sounds. We will look at classicism, modernism, postmodernism and many other modes. The films will range from early silent pictures, to experimental shorts, to commercial blockbusters. Cross-list: FILM 382.

Long Title: GLOBAL CINEMA

Department: Art History

Grade Mode: Standard Letter

Course Type: Seminar

Credit Hours: 4

Description: This course introduces students to cinema as a global enterprise. It explores the relationship between nations, identities, races, concepts, and genres. It inquires into the question of globalization as it relates to the motion picture audience, corporations, and the commerce of ideas. Cross-list: FILM 383.

Long Title: SACRED SPACES IN THE ANCIENT MEDITERRANEAN

Department: Art History

Grade Mode: Standard Letter

Course Type: Lecture

Credit Hours: 3

Description: Course explores the forms, politics, and functions of sacred spaces in the Ancient Mediterranean using the theories of Eliade, Smith, Jones, and Lefebvre. Students will learn how to analyze archaeological and literary evidence to determine the social developments they (re)produce over the course of the first six centuries. Counts toward Jewish Studies minor and Ancient Mediterranean Civilizations major. Cross-list: ARCH 383, HIST 383.

Long Title: EUROPEAN WOMEN FILMMAKERS

Department: Art History

Grade Mode: Standard Letter

Course Type: Lecture

Distribution Group: Distribution Group I

Credit Hours: 3

Description: Filmmaking has celebrated its first hundred years. Women's contributions were significant and deserve to widen the film canon for all filmgoers. This course will concentrate on films by European women directors, taking into account aesthetic particularities, gender commitment, and post-feminist attempts. Importance will also be given to the contexts and conditions of women's film production. All films subtitled in English. Taught in English. Cross-list: GERM 321, HUMA 321, SWGS 358.

Long Title: DADA

Department: Art History

Grade Mode: Standard Letter

Course Type: Seminar

Credit Hours: 3

Description: Inaugurated against the calamitous backdrop of the First World War, "Dada," the artist Francis Picabia claimed, "smells of nothing, it is nothing, nothing, nothing." This seminar will examine the aesthetics of shock and nihilism (literally, 'nothingness'), developed by Dada in six cities: Zurich, Berlin, Colgne, Hannover, New York, and Paris. Graduate/Undergraduate Equivalency: HART 586. Mutually Exclusive: Cannot register for HART 386 if student has credit for HART 586.

Long Title: CULTURAL STUDIES: GLOBAL MEDIA STUDIES

Department: Art History

Grade Mode: Standard Letter

Course Type: Seminar

Credit Hours: 3 OR 4

Description: Examines the relationship between globalization and mass- mediated images and sounds. Looks at global distribution of Hollywood entertainment from early twentieth century onward; reception of Hollywood cinema and television in different national contexts; production of alternative/oppositional film and television by indigenous populations. Case studies of Hollywood, Bollywood, and Hong Kong. Repeatable for Credit.

Long Title: FILM MELODRAMA

Department: Art History

Grade Mode: Standard Letter

Course Type: Seminar

Distribution Group: Distribution Group I

Credit Hours: 4

Description: Melodrama - the genre of tears, sensationalism and excess - has long been the focus of critical debates. Initially dismissed as mere escapism, melodrama films have begun to generate nuanced studies about their engagement with issues of gender, sexuality, class, and race. This seminar examines aesthetic, socio-political, and psychological dimensions of film melodrama, including historical works by Vidor, Sirk, Godard, and Fassbinder, as well as more recent projects by Haynes and Almodovar. Cross-list: FILM 389. Mutually Exclusive: Cannot register for HART 389 if student has credit for HART 589.

Long Title: THEORETICAL PERSPECTIVES ON THE VISUAL ARTS

Department: Art History

Grade Mode: Standard Letter

Course Type: Lecture

Credit Hours: 3

Description: Exploration of overlapping themes central in the history of art, using texts from Plato to post-modernism. Includes the use of biography, style, connoisseurship, quality, the social basis of art, theories of change in the arts, psychology, iconography, and the modernist canon and post-modern challenges to that canon, as well as race, gender, class, authorship, and audience.

Long Title: PRODUCING FEMINIST KNOWLEDGE: METHODOLOGY AND VISUAL CULTURE

Department: Art History

Grade Mode: Standard Letter

Course Type: Lecture

Credit Hours: 3

Description: In this course we will examine various methodologies used by feminist scholars in the Social Sciences and the Humanities. Particular attention will be devoted to the practical application of feminist methodologies in visual culture and the history of art, as well as to interdisciplinary feminist inquiries in science, ethnography, and epistemology. Cross-list: SWGS 391.

Long Title: LATIN AMERICAN ART AND CINEMA SINCE 1960

Department: Art History

Grade Mode: Standard Letter

Course Type: Seminar

Credit Hours: 4

Description: This course examines the relationships between art and cinema in Latin America, providing an overview of key artists, movements, and films from Argentina, Brazil, Cuba, and Mexico from 1960 to present. Sessions include weekly film screenings and focus on research and discussions about topics including globalization, mass media, reception, and the social, economic, and political contexts around artistic production. Mutually Exclusive: Cannot register for HART 392 if student has credit for HART 592.

Long Title: THE SACRED ARTS OF SECULAR MODERNISM

Department: Art History

Grade Mode: Standard Letter

Course Type: Seminar

Credit Hours: 3

Description: This course examines various representations of spirituality and the sacred in modernist & post modernist aesthetics, and their corresponding expressions in historical and contemporary museum practices. Special emphasis will be placed on the outstanding collections of the adjacent museum district, the Menil Collection and the Museum of Fine Arts, Houston. Cross-list: RELI 394.

Long Title: SPECIAL PROBLEMS IN ART HISTORY

Department: Art History

Grade Mode: Standard Letter

Course Type: Independent Study

Credit Hours: 1 TO 6

Description: Special topics in art history. Independent study, reading, or special research in art history. Repeatable for Credit.

Long Title: MEDICAL HUMANITIES VISUAL CULTURE

Department: Art History

Grade Mode: Standard Letter

Course Type: Seminar

Distribution Group: Distribution Group I

Credit Hours: 3

Description: In this course we will examine literal and symbolic representations of the human body in order to explore the relations between the visuality of medicine, corporeality, subjectivity, and healing. Repeatable for Credit.

Long Title: SPECIAL TOPICS: HART IN THE WORLD

Department: Art History

Grade Mode: Standard Letter

Course Type: Away - Study Away

Credit Hours: 3

Description: SUMMER 2016: HART IN THE WORLD: ISTANBUL, THE CITY AND ITS HISTORY. A first-hand exploration of Istanbul, former capital of the Roman, Byzantine and Ottoman Empires and thriving cultural metropolis. The course will be conducted at different historical sites including the celebrated Hagia Sophia and Topkapi Palace and engage contemporary culture through exhibitions, performances and street life. This is a Special Topics course with locations changing annually. Priority given to HART majors. Funding possibilities provided. Students must contact instructors shirine@rice.edu and Umit.F.Acikgoz@rice.edu by February 15, before registration. Instructor Permission Required.Graduate/Undergraduate Equivalency: HART 697. Mutually Exclusive: Cannot register for HART 397 if student has credit for HART 697.

Long Title: FROM EXPRESSIONISM TO FASCISM: ART AND FILM IN GERMANY

Department: Art History

Grade Mode: Standard Letter

Course Type: Seminar

Credit Hours: 3

Description: Focusing on the tumultuous years of the Weimar Republic, this class will examine art and film in Germany from the birth of Expressionism through the end of the Nazi dictatorship. Topics covered will include Expressionism, Dada, the Bauhaus, and Fascist aesthetics. Particular attention will be paid to the relations between aesthetics and politics and art and everyday life, all central concerns of the art and criticism of the period. Cross-list: GERM 339, Graduate/Undergraduate Equivalency: HART 596. Mutually Exclusive: Cannot register for HART 398 if student has credit for HART 596.

Long Title: EXHIBITING SEXUALITIES

Department: Art History

Grade Mode: Standard Letter

Course Type: Seminar

Credit Hours: 3

Description: This class investigates how sexuality has been constructed, avoided, celebrated, and suppressed in museums. In addition to studying a genealogy of sexual display and spectatorship in museums, students will also do the work of collectors, curators, and critics of artistic, historical, and scientific displays of sex and sexuality. Cross-list: SWGS 321.

Long Title: BAYOU BEND INTERNSHIP I

Department: Art History

Grade Mode: Standard Letter

Course Type: Internship/Practicum

Credit Hours: 3

Description: Internship at Bayou Bend, the American Decorative Arts Center of the Museum of Fine Arts, Houston. Must be a Jameson Fellowship recipient to enroll. Instructor Permission Required.

Long Title: BAYOU BEND UNDERGRADUATE INTERNSHIP II

Department: Art History

Grade Mode: Standard Letter

Course Type: Internship/Practicum

Credit Hours: 3

Description: Internship at Bayou Bend and The American Decorative Arts Center of the Museum of Fine Arts, Houston. Must be a Jameson Fellowship recipient to enroll.

Long Title: HONORS THESIS

Department: Art History

Grade Mode: Standard Letter

Course Type: Independent Study

Credit Hours: 3

Description: Honors thesis project in art history. Students must receive permission of the department faculty prior to enrolling. For additional information, please see Honors Program in the Rice University General Announcements. Department Permission Required.

Long Title: HONORS THESIS

Department: Art History

Grade Mode: Standard Letter

Course Type: Independent Study

Credit Hours: 3

Description: Honors thesis project in art history. Students must receive permission of the department faculty prior to enrolling. For additional information, please see Honors Program in the Rice University General Announcements. Instructor Permission Required.

Long Title: SENIOR THESIS

Department: Art History

Grade Mode: Standard Letter

Course Type: Independent Study

Credit Hours: 3

Description: Senior Thesis project in art history. Students must receive permission of the department faculty prior to enrolling. Department Permission Required. Repeatable for Credit.

Long Title: ARCHITECTURE AND DYNASTY IN THE EARLY ROMAN EMPIRE

Department: Art History

Grade Mode: Standard Letter

Course Type: Seminar

Credit Hours: 3

Description: Nero is often remembered as the tyrannical emperor who let the city burn and gorged on ill-gotten luxury; his successors are conceived as good emperors who built the Coliseum, Imperial Palace and the vast majority of Rome's remaining monuments. In this course you will question whether things were so straightforward. Cross-list: CLAS 417, Graduate/Undergraduate Equivalency: HART 510. Mutually Exclusive: Cannot register for HART 410 if student has credit for HART 510.

Long Title: BRAZILLIAN VISUAL CULTURE: FILM AND ART

Department: Art History

Grade Mode: Standard Letter

Course Type: Lecture

Credit Hours: 3

Description: In this course we will study Brazilian cinema and visual arts in the 20th century. We will discuss Brazilian history and how filmmakers and artists responded to the changing national culture from dictatorship to democracy, and including issues of class, geography, and race. The course will be taught in English. Cross-list: SPAN 408.

Long Title: ADVANCED SEMINAR IN ARCHITECTURE

Department: Art History

Grade Mode: Standard Letter

Course Type: Seminar

Credit Hours: 3

Description: Small, focused, advanced discussion, workshop and/or design based courses on topics of recent research in architecture, delivered by RSA full time or visiting faculty. This seminar is open to RSA undergraduate students junior-level and above, and RSA graduate students. Students from other departments may enroll in the course with instructor permission. See the RSA website for more information: arch.rice.edu/courses. Cross-list: ARCH 412, Graduate/Undergraduate Equivalency: HART 612. Mutually Exclusive: Cannot register for HART 412 if student has credit for HART 612. Repeatable for Credit.

Long Title: MURDER AND MODERNISM

Department: Art History

Grade Mode: Standard Letter

Course Type: Lecture

Credit Hours: 3

Description: "Murder, George Orwell lamented in his 1946 essay "Decline of the English Murder," isn't what it used to be. Unlike what he calls "our great period in murder" - roughly 1850 to the beginning of the Second World War - contemporary murder has lost it aesthetic appeal. "There is," he writes, "no depth of feeling in it." This class will examine the modernist fascination with murder, asking not only why it became a topic of such particular interest to artists, writers, and filmmakers during this time, but what it can tell us about modernist aesthetics more broadly." Graduate/Undergraduate Equivalency: HART 507. Mutually Exclusive: Cannot register for HART 413 if student has credit for HART 507.

Long Title: ARTISTIC ENCOUNTERS: EUROPE AND THE ISLAMIC WORLD IN THE EARLY MODERN AND MODERN PERIODS

Department: Art History

Grade Mode: Standard Letter

Course Type: Seminar

Credit Hours: 3

Description: This seminar aims to assess the mutual impact of the visual cultures of Europe and the Islamic world through history. Focusing on 15th-19th-century material including architecture, painting, photography, textiles, and sartorial fashion, it examines channels of interaction, forms of influence, and modes of representation in aesthetic, cultural, philosophical, and political terms, and in light of concurrent theoretical debates.

Long Title: THE GROTESQUE

Department: Art History

Grade Mode: Standard Letter

Course Type: Seminar

Credit Hours: 3

Description: This course examines the grotesque in literature and art. It covers a variety of textual and visual sources across periods; theoretical materials will include works from literary studies, visual culture, art history, critical theory and aesthetics. Cross-list: ENGL 438.

Long Title: ARCHITECTURE OF THE GOTHIC CATHEDRAL FROM THE MIDDLE AGES TO THE TWENTIETH CENTURY

Department: Art History

Grade Mode: Standard Letter

Course Type: Seminar

Credit Hours: 3

Description: This course will focus on one of the most important contributions to the history of western architecture-- the Gothic cathedral. The course will approach the material from a number of different perspectives--the formal and technical development of Gothic architecture; the Medieval architect and the design of Gothic buildings, the social, economic, and political history of "big church" building in the Middle Ages; Gothic architecture as experience and metaphor; and the afterlife of the Gothic cathedral from Vasari to the National Cathedral in Washington, D.C. Cross-list: MDEM 431.

Long Title: THE BAYEUX TAPESTRY AND THE ANGLO-NORMAN WORLD

Department: Art History

Grade Mode: Standard Letter

Course Type: Seminar

Distribution Group: Distribution Group I

Credit Hours: 3

Description: This course focuses on the most important secular work from the middle ages - a 230 foot long embroidery depicting the Battle of Hastings. This is a team-taught course that will examine both visual narrative of the tapestry and literary narrative in works such as the "Chanson de Roland," and the "Lais" and "Fables of Marie de France." Cross-list: FREN 433, MDEM 433, Graduate/Undergraduate Equivalency: HART 533. Mutually Exclusive: Cannot register for HART 433 if student has credit for HART 533.

Long Title: SEEING SEX IN EUROPEAN ART, 1400-1700

Department: Art History

Grade Mode: Standard Letter

Course Type: Lecture

Distribution Group: Distribution Group I

Credit Hours: 3

Description: This course will examine the visual history of sexuality from 1400-1700. It will explore how imagery structured sexual desire; the role of erotic sacred art; the rise of pornography; the intersection of spatial topography and sexuality; the linkage of licit and illicit sexualities; and the sexuality of artist and patrons. Cross-list: MDEM 434, SWGS 434, Graduate/Undergraduate Equivalency: HART 534. Mutually Exclusive: Cannot register for HART 434 if student has credit for HART 534.

Long Title: MULTICULTURAL EUROPE, 1400-1700

Department: Art History

Grade Mode: Standard Letter

Course Type: Seminar

Credit Hours: 3

Description: The art of Europe was never the product of a single culture working in isolation. This seminar will explore the multicultural aspects of medieval and early modern Europe by focusing on the visual culture of groups who defined themselves or are today defined by nationality, race, or religion. Cross-list: HIST 443, MDEM 435, Graduate/Undergraduate Equivalency: HART 535. Mutually Exclusive: Cannot register for HART 435 if student has credit for HART 535.

Long Title: VISUAL CULTURE OF MEDIEVAL PILGRIMAGE

Department: Art History

Grade Mode: Standard Letter

Course Type: Seminar

Distribution Group: Distribution Group I

Credit Hours: 3 TO 4

Description: This seminar explores the rich visual culture associated with medieval pilgrimage between the 4th and 15th centuries. The experience of pilgrimage was shaped by symbols, images, and places encountered along the routes to sites of sacred significance, especially the Jerusalem, Rome, Santiago, and Canterbury. We will examine the theological, practical, visual, and experiential aspects of pilgrimage in Western Europe and the Holy Land as understood through material culture. Instructor Permission Required.Cross-list: FREN 437, MDEM 437, Graduate/Undergraduate Equivalency: HART 537. Recommended Prerequisite(s): Completion of one 300-level course or Permission of Instructor. Mutually Exclusive: Cannot register for HART 437 if student has credit for HART 537.

Long Title: ISSUES IN THE HISTORY OF PRINTS, PRE-MODERN TO PRESENT

Department: Art History

Grade Mode: Standard Letter

Course Type: Lecture

Credit Hours: 3

Description: With their distinctive technical, social, and commercial associations, prints are often sidelined in traditional art histories. This course will introduce recent scholarship on the multiple image from the late middle ages to the present, with stress on the transformations of printmaking from the development of photography into our digital age. Graduate/Undergraduate Equivalency: HART 640. Mutually Exclusive: Cannot register for HART 440 if student has credit for HART 640.

Long Title: EARLY MODERN ART

Department: Art History

Grade Mode: Standard Letter

Course Type: Lecture

Credit Hours: 3

Description: This course introduces the major developments, key figures and works of early modernism, a trajectory whose beginnings are now generally located in the late-nineteenth century. Covering a period from roughly 1900 - 1945, we will trace Modernism's unfolding in the avant-garde practices of the first three decades of the 20th century, as well as the first anti-modernist critiques, ending with Modernism's eventual destruction in the authoritarian politics of the 1930s, World War II, and the Holocaust.

Long Title: MODELS OF ABSTRACTION

Department: Art History

Grade Mode: Standard Letter

Course Type: Seminar

Credit Hours: 3

Description: This course will examine a range of different models of abstract painting and sculpture as they appear throughout the twentieth century. Looking closely at the historical contexts that gave rise to abstraction particular attention will be paid to how apparently similar forms of abstraction can denote very different kinds of meaning. Mutually Exclusive: Cannot register for HART 451 if student has credit for HART 551.

Long Title: MANET(S) AND MODERNISM(S)

Department: Art History

Grade Mode: Standard Letter

Course Type: Seminar

Credit Hours: 3

Description: This seminar considers the pivotal figure of Edouard Manet. Combining a study of paintings from throughout his career, with close readings of primary sources, we will assess the key aspects of his style and subject matter. We will also consider art historical to his work and relationship to modernity. Graduate/Undergraduate Equivalency: HART 552. Mutually Exclusive: Cannot register for HART 452 if student has credit for HART 552.

Long Title: CUBISM AND THE PROBLEM OF FORM

Department: Art History

Grade Mode: Standard Letter

Course Type: Seminar

Credit Hours: 3

Description: This seminar will examine the cultural, social, and artistic context that led to the development of Cubism. Particular attention will be paid to the problem of form and color in the period from 1907 to 1914, as well as the reception of Cubism during the post-world war I "return to order". In addition to the work of Pablo Picasso and Georges Braque, the work of the so-called "Salon Cubists" will be examined (Albert Gleizes, Jean Metzinger, Andre Lhote, Henri Le Fauconnier, et al.) along with the work of Henri Matisse, Fernand Leger, Marcel Duchamp, Robert Delaunay, Le Corbusier and Amadee Ozenfant.

Long Title: THE ARTIST AS ETHNOGRAPHER - THE ETHNOGRAPHER AS ARTIST

Department: Art History

Grade Mode: Standard Letter

Course Type: Seminar

Credit Hours: 3

Description: This course will examine the intersections between the historical avant-garde, contemporary art, and anthropology. Developing on the so-called "ethnographic turn" within contemporary art - what Hal Foster has famously termed "the artist as ethnographer" - we will look at the way that this tendency within artistic production has doubled back onto the field of anthropology, leading to what could be called "the ethnographer as artist." Particular attention will be paid to the role of the art museum and international art exhibitions. Cross-list: ANTH 454.

Long Title: FIVE MODERN PAINTERS,1860-1914:MANET, CEZANNE, PICASSO, MATISSE, DELAUNAY

Department: Art History

Grade Mode: Standard Letter

Course Type: Lecture

Credit Hours: 3

Description: This class will look closely at five key episodes in early modernist painting: the distinct contributions of Edouard Manet, Paul Cezanne, Pablo Picasso, Henri Matisse, and Robert Delaunay. Examining a range of methodological approaches and primary source material, the class will pay particular attention to the ways in which altered notions of visual experience impacted advanced painting. Over the course of the semester we will attempt to understand how each of these five artists responded, each in their own way, to the changes wrought by modernity and modernism.

Long Title: COPLEY, SARGENT, AND THE MUSEUM

Department: Art History

Grade Mode: Standard Letter

Course Type: Seminar

Credit Hours: 3

Description: Drawing from the collections and resources of the Museum of Fine Arts, Houston, this course is designed to achieve two goals: (1) to provide an overview of the art and career of two American painters: the eighteenth-century colonial painter John Singleton Copley, and the late nineteenth-century expatriate painter, John Singer Sargent, focusing on the close examination of works of art on view at the MFAH, and (2) to introduce students to the history and culture of the art museum in the United States by using the MFAH as a laboratory for study.

Long Title: VIDEO AND EXPANDED CINEMA

Department: Art History

Grade Mode: Standard Letter

Course Type: Seminar

Credit Hours: 3

Description: This seminar explores the emergence of video and "expanded cinema" as a primary field of artistic practice over the course of the 1960s and 1970s. We will examine seminal works by artists including Andy Warhol, Dan Graham, and Robert Whitman as well as the shifting aesthetic, political, and media landscapes in which this work emerged. Cross-list: FILM 455, Graduate/Undergraduate Equivalency: HART 557. Mutually Exclusive: Cannot register for HART 457 if student has credit for HART 557.

Long Title: MASS CULTURE & THE AVANT-GARDE

Department: Art History

Grade Mode: Standard Letter

Course Type: Seminar

Credit Hours: 3

Description: This seminar will explore the close relationship between mass culture and avant-garde art from the mid-nineteenth century to the present day. In particular, we will examine how artists have both borrowed from and reacted against mass cultural forms--from comic books to television--as a means to renew their practice. Artists to be considered include Gustave Courbet, Pablo Picasso, Kurt Schwitters, Andy Warhol, Cindy Sherman and others. Graduate/Undergraduate Equivalency: HART 564. Mutually Exclusive: Cannot register for HART 460 if student has credit for HART 564.

Long Title: ART OF THE 60s AND 70s

Department: Art History

Grade Mode: Standard Letter

Course Type: Seminar

Credit Hours: 3

Description: By all accounts the 1960s and 1970s marked one of the most vibrant, experimental, audacious, and - above all - contentious periods in the history of avant-garde modernism. This seminar will examine the momentous shift from the international dominance of American Abstract Expressionism in the 1950s to a wide array of global counter-movements in the 1960s and 70s. Possible topics include: Happenings, Minimalism, Fluxus, Conceptualism, Nouveau Realisme, Body Art, Structuralist Film, Gutai, Light and Space, Noeconretism, Arte Povera, The Situationist International, etc. Graduate/Undergraduate Equivalency: HART 559. Mutually Exclusive: Cannot register for HART 461 if student has credit for HART 559.

Long Title: PRACTICING UTOPIA: ARCHITECTURE, EUGENICS AND THE MODERN LATIN CITY

Department: Art History

Grade Mode: Standard Letter

Course Type: Seminar

Credit Hours: 3

Description: This seminar will explore the alliance between aesthetics, science, and ideology at the core of French and Latin American modernism. Focusing on early twentieth-century scientific and cultural dialogues between France and Latin America, this seminar will have as main territories of exploration: Paris, Rio de Janeiro, Buenos Aires, Havana, and Caracas. Cross-list: ARCH 452, Graduate/Undergraduate Equivalency: HART 563. Mutually Exclusive: Cannot register for HART 463 if student has credit for HART 563.

Long Title: LATIN AMERICAN BODIES: ON MODERNISM

Department: Art History

Grade Mode: Standard Letter

Course Type: Seminar

Credit Hours: 3

Description: This seminar will examine theories and practices of modernism and modernization within Latin America-Europe Dialogues. Designed as a laboratory of ideas and forms, this seminar will probe critical perspectives on art and architecture’s relation to society and science. Each week, we will examine a theorist, an artist, and an architect. Graduate/Undergraduate Equivalency: HART 566. Mutually Exclusive: Cannot register for HART 465 if student has credit for HART 566.

Long Title: NATURE IN-VITRO: BODIES, GARDENS AND BUILT FORMS

Department: Art History

Grade Mode: Standard Letter

Course Type: Seminar

Credit Hours: 3

Description: This seminar considers theories and narratives of nature in the crafting of modern and contemporary art and architecture in the Americas. We will travel from Humboldt's re-imagined geographies, Jean-Baptiste Lamark's re-formulated notions of milieu, and Xavier Bichat's re-conceptualized human body to 20th century earthworks and current obsessions with ecology and sustainability. Cross-list: ARCH 462, Graduate/Undergraduate Equivalency: HART 567. Mutually Exclusive: Cannot register for HART 467 if student has credit for HART 567.

Long Title: SEMINAR ON FILM AUTHORSHIP: THE NEW HOLLYWOOD

Department: Art History

Grade Mode: Standard Letter

Course Type: Seminar

Credit Hours: 4

Description: This seminar covers the concept of authorship in Hollywood cinema since 1968. Filmmakers include Francis Ford Coppola, David Lynch, The Coen Brothers, and Charlie Kaufman. Cross-list: ARTS 435, FILM 435.

Long Title: AUTEUR FILM: CASE STUDIES OF THREE AUTEURS

Department: Art History

Grade Mode: Standard Letter

Course Type: Lecture

Credit Hours: 4

Description: This course will explore the tradition of auteur filmmaking, with an emphasis on how this particular artistic mode situates itself within the evolving system of Hollywood institutional film. The auteur, in contrast to other filmmakers, exhibits unparalleled control over the production and post-production processes and is uniquely identifiable through the notable conventions of aesthetics, style, theme, content, atmosphere, etc. FILM 485/HART 481 ( 4 Credit Hours ) will require completion of additional coursework for the additional credit than the FILM 285/HART 283 (3 Credit Hours). Credit may not be received for more than one of FILM 285 or FILM 485 or Hart 283 or HART 481. Cross-list: FILM 485. Mutually Exclusive: Cannot register for HART 481 if student has credit for HART 283.

Long Title: CAESAR'S PALACE: AUTHOR(ITY) AND MEANING IN THE ROMAN IMPERIAL RESIDENCE

Department: Art History

Grade Mode: Standard Letter

Course Type: Lecture

Credit Hours: 3

Description: Described as both a “Hall of Despotism” and a “Citadel of Majesty,” the palace of the Roman emperors is one of the great enigmas of antiquity. Its vast remains (larger than Versailles) are relatively well preserved, but it is poorly understood as part of the concept of emperorship. In this course we will examine the palace within the context of Imperial Roman art and politics; then we will dissect its meaning(s), the intentions of those who created it, and generally deconstruct it, brick by brick, to question agency and spatial experience from a macro-historical perspective. Cross-list: CLAS 482, Graduate/Undergraduate Equivalency: HART 582. Mutually Exclusive: Cannot register for HART 482 if student has credit for HART 582.

Long Title: SEMINAR ON DOCUMENTARY AND ETHNOGRAPHIC FILM

Department: Art History

Grade Mode: Standard Letter

Course Type: Seminar

Credit Hours: 4

Description: Overview of the history of documentary and ethnographic cinema from a worldwide perspective. Includes both canonical and alternative films and film movements with emphasis on the shifting and overlapping boundaries of fiction and nonfiction genres.

Long Title: GENDER AND HOLLYWOOD CINEMA IN THE 1950'S

Department: Art History

Grade Mode: Standard Letter

Course Type: Lecture

Credit Hours: 3

Description: This course examines representations of gendered subjectivity in Hollywood cinema during the 1950s. Some of the topics to be addressed include the uneasy relationship between normative domesticity and heterosexual masculinity, issues of voyeurism, and eroticism, and the ongoing conflict between liberated individualism and social conformity in corporate culture and bourgeois society. Cross-list: SWGS 485.

Long Title: STUDIES IN FILM

Department: Art History

Grade Mode: Standard Letter

Course Type: Lecture

Credit Hours: 3

Description: Topics will vary from year to year.

Long Title: LITERATURE, ART AND COLONIALITY

Department: Art History

Grade Mode: Standard Letter

Course Type: Seminar

Distribution Group: Distribution Group I

Credit Hours: 4

Description: This is the undergraduate senior version of the graduate level seminar FREN/HART 587. Both the course's reading list and the length of the research are adjusted to accommodate undergraduate needs. Cross-list: FREN 487, Graduate/Undergraduate Equivalency: HART 587. Mutually Exclusive: Cannot register for HART 487 if student has credit for HART 587.

Long Title: CULTURAL BOUNDARIES ETHNIC MYTHS, AND THE SEARCH FOR A NATIONAL STYLE

Department: Art History

Grade Mode: Standard Letter

Course Type: Seminar

Credit Hours: 3

Description: This course will introduce the issue of art and identity as it was presented in the cultural debates taking place in Europe in the 19th and 20th centuries.

Long Title: WALTER BENJAMIN, MEDIA & MODERNITY

Department: Art History

Grade Mode: Standard Letter

Course Type: Seminar

Credit Hours: 3

Description: This seminar will examine the key theoretical writings on media and modernity by Walter Benjamin, one of the first twentieth-century critics to place new forms of visual experience and technology at the center of his understanding of modern life. The course will pay particular attention to Benjamin's writings on urbanism, film and photography, and the ways in which these relate to avant-garde practices such as Dada, Surrealism, and New Objectivity (Neue Sachlichkeit). Graduate/Undergraduate Equivalency: HART 593. Mutually Exclusive: Cannot register for HART 493 if student has credit for HART 593.

Long Title: MODERN AND CONTEMPORARY EAST ASIAN ART AND ARCHITECTURE

Department: Art History

Grade Mode: Standard Letter

Course Type: Lecture

Credit Hours: 3

Description: This course examines modern and contemporary art and architecture in East Asia (primarily Chinese, Korean, and Japanese) and examines them transnationally, chronologically (beginning in 19th century up to present day) and thematically, focusing on topics such as tradition, modernity, exhibitions, nationalism, the avant-garde, and globalization. Cross-list: ARCH 484, ASIA 484.

Long Title: SPECIAL TOPICS IN ART THEORY AND CRITICISM

Department: Art History

Grade Mode: Standard Letter

Course Type: Independent Study

Credit Hours: 1 TO 6

Description: Independent study, reading, or special research in art history. Instructor Permission Required. Repeatable for Credit.

Long Title: INDEPENDENT STUDY IN ART THEORY AND CRITICISM

Department: Art History

Grade Mode: Standard Letter

Course Type: Independent Study

Credit Hours: 1 TO 6

Description: Independent study, reading, or special research in art history, theory, themes, and criticism. Instructor Permission Required. Repeatable for Credit.

Long Title: INTERNSHIP PROGRAM I

Department: Art History

Grade Mode: Standard Letter

Course Type: Internship/Practicum

Credit Hours: 1 TO 15

Description: Graduate level course that will provide select students a practicum in museum work accompanied by an introduction to a history of museums, including varieties of museums, their role in society, and significant issues in museums today. Instructor Permission Required.

Long Title: INTERNSHIP PROGRAM II

Department: Art History

Grade Mode: Standard Letter

Course Type: Internship/Practicum

Credit Hours: 1 TO 4

Description: Graduate credit for work as museum intern at a variety of museums. Instructor Permission Required. Repeatable for Credit.

Long Title: INDEPENDENT STUDY (FALL)

Department: Art History

Grade Mode: Standard Letter

Course Type: Independent Study

Credit Hours: 3

Description: Graduate research paper (special design). Must take HART 502 and HART 503 to receive credit.

Long Title: INDEPENDENT STUDY (SPRING)

Department: Art History

Grade Mode: Standard Letter

Course Type: Research

Credit Hours: 3

Description: Graduate research paper. Must take HART 502 and HART 503 to receive credit.

Long Title: INDEPENDENT STUDY

Department: Art History

Grade Mode: Standard Letter

Course Type: Independent Study

Credit Hours: 1 TO 4

Description: Graduate independent study, reading and research on variable topics. Instructor Permission Required. Repeatable for Credit.

Long Title: AVANT GARDE AND AFTER: ART IN EUROPE, 1900-1945

Department: Art History

Grade Mode: Standard Letter

Course Type: Seminar

Credit Hours: 3

Description: This class surveys European art from roughly 1900-1945, paying particular attention to the social contexts in which this work emerged and the interpretive strategies that have been used to understand it. Among the topics to be considered are Cubism, Futurism, Constructivism, Dada, and Surrealism, as well as the reaction against these by emergent authoritarian regimes of the 1930s. Graduate students will be assigned additional readings. We will meet an additional two to three times to discuss the readings. In addition, a research paper will be due at the end of the semester. Graduate/Undergraduate Equivalency: HART 305. Mutually Exclusive: Cannot register for HART 505 if student has credit for HART 305.

Long Title: HISTORY AND THEORY III - 1890-1968

Department: Art History

Grade Mode: Standard Letter

Course Type: Lecture

Credit Hours: 3

Prerequisite(s): ARCH 345 OR HART 345 OR ARCH 645 OR HART 645

Description: This course surveys the history and theory of architecture and urbanism between 1890 and 1968, tracing the critical shifts in architectural thought and practice that inaugurated, constituted, and questioned architectural modernism. In particular, the course considers the development of architectural knowledge as the field engaged and contributed to the great social, political, cultural, and technological changes of the period. Organized around a series of significant case studies considered particular designed responses to their material, intellectual, and sociopolitical context, the course elucidates the influence of contingent conditions on architectural design, but emphasizes the designer's efforts to reinforce, reform, or transform those conditions. The course charts the ongoing attempt to account for this activity historically and theoretically and the operative role of these accounts both during the period and subsequently. Cross-list: ARCH 646.

Long Title: MURDER AND MODERNISM

Department: Art History

Grade Mode: Standard Letter

Course Type: Lecture

Credit Hours: 3

Description: "Murder, George Orwell lamented in his 1946 essay "Decline of the English Murder," isn't what it used to be. Unlike what he calls "our great period in murder" - roughly 1850 to the beginning of the Second World War - contemporary murder has lost it aesthetic appeal. "There is," he writes, "no depth of feeling in it." This class will examine the modernist fascination with murder, asking not only why it became a topic of such particular interest to artists, writers, and filmmakers during this time, but what it can tell us about modernist aesthetics more broadly." Graduate/Undergraduate Equivalency: HART 413. Mutually Exclusive: Cannot register for HART 507 if student has credit for HART 413.

Long Title: LIVING IN THE CITY IN THE OTTOMAN EMPIRE

Department: Art History

Grade Mode: Standard Letter

Course Type: Seminar

Credit Hours: 3

Description: Seminar combines primary and secondary sources to explore the urban experiences of Ottoman men and women in the 18th and early 19th centuries. Looking at several cities including Istanbul, Izmir, Salonika, Damascus, Aleppo and Alexandria, we will discuss such issues as neighborhood and community life, public spaces and recreational culture perceptions of space, urban institutions, Muslim and non-Muslim relations, migration and marginality, violence and death. Reading knowledge of French and /or Turkish helpful but not necessary. For each lecture, Graduate Students will be assigned additional readings. They will write an annotated bibliography of all these readings to be turned in at the end of the semester. We will meet for an additional every two or three weeks to discuss interpretive and methodological problems and ideas associated with the readings. Graduate Students will be expected to complete all the requirements of the class in addition to writing a substantial research paper due at the end of the semester. Cross-list: ARCH 518, Graduate/Undergraduate Equivalency: HART 308. Mutually Exclusive: Cannot register for HART 508 if student has credit for HART 308.

Long Title: THE DAWN OF ROME: GENERATING THE URBAN, SOCIAL AND POLITICAL LIFE OF THE ETERNAL CITY

Department: Art History

Grade Mode: Standard Letter

Course Type: Seminar

Credit Hours: 3

Description: In this course you will uncover the roots of the Eternal City, Rome. Through analysis of archaeological remains, art historical methodologies and theories of social space, intentionality, structuration and agency, you will question how and why Rome became a city and a culture the reshaped the world. The course will focus on the first 500 years of Roman art and society, ca. 800-300 BCE, looking closely at the kingship of Rome, the genesis of the Roman Republic, and the ability to understand a distant culture through artistic manufacture, materiality and philosophical shift. Graduate students will be expected to complete all the requirements of this class in addition to writing a substantial research paper at the end of the semester. Graduate/Undergraduate Equivalency: HART 309. Mutually Exclusive: Cannot register for HART 509 if student has credit for HART 309.

Long Title: ARCHITECTURE AND DYNASTY IN THE EARLY ROMAN EMPIRE

Department: Art History

Grade Mode: Standard Letter

Course Type: Seminar

Credit Hours: 3

Description: Nero is often remembered as the tyrannical emperor who let the city burn and gorged on ill-gotten luxury; his successors conceived as good emperors who built the Coliseum, Imperial Palace and the vast majority of Rome's remaining monuments. In this course you will question whether things were so straightforward. For each lecture, Graduate Students will be assigned additional readings. They will write an annotated bibliography of all these readings to be turned in at the end of the semester. We will meet for an additional every two or three weeks to discuss interpretive and methodological problems and ideas associated with the readings. Graduate Students will be expected to complete all the requirements of the class in addition to writing a substantial research paper due at the end of the semester. Graduate/Undergraduate Equivalency: HART 410. Mutually Exclusive: Cannot register for HART 510 if student has credit for HART 410.

Long Title: ART AND ARCHAEOLOGY OF THE ANCIENT NEAR EAST

Department: Art History

Grade Mode: Standard Letter

Course Type: Seminar

Credit Hours: 3

Description: An in-depth examination of the art and archaeology of ancient Mesopotamia, Syria, Anatolia and Persia. Beginning in The Neolithic period, we will examine the development of Near Eastern art and architecture through the study of ancient sites and their associated material culture. For each lecture, Graduate Students will be assigned additional readings. They will write an annotated bibliography of all these readings to be turned in at the end of the semester. We will meet for an additional every two or three weeks to discuss interpretive and methodological problems and ideas associated with the readings. Graduate Students will be expected to complete all the requirements of the class in addition to writing a substantial research paper due at the end of the semester. Graduate/Undergraduate Equivalency: HART 311. Mutually Exclusive: Cannot register for HART 511 if student has credit for HART 311.

Long Title: THE HELLENISTIC AGE: ALEXANDER TO AUGUSTUS

Department: Art History

Grade Mode: Standard Letter

Course Type: Lecture

Credit Hours: 3

Description: We examine the art, architecture, and cultural history of the Hellenistic Age, from Alexander the Great (d. 323 BC) until the death of Cleopatra (31 BC). During this period a brilliant Greek-based culture developed from the Mediterranean to the Indus Valley, transforming Greeks, Persians, Jews, Romans and many others. Graduate students will be assigned additional readings and a research paper will be due at the end of the semester.

Long Title: OTTOMAN EMPIRE

Department: Art History

Grade Mode: Standard Letter

Course Type: Seminar

Credit Hours: 3

Description: This graduate seminar examines different approaches to study of modernity and modernization in the Ottoman Empire from the onset of the Tanzimat reforms in 1839 until after WWI and the empire's demise. By engaging equally the social and spatial dimensions of the major societies, including Istanbul, Damascus, Beirut, Cairo, and Izmir we will explore the various meanings of modernity and modernization as these reflect at the urban architectural scales, in urban life, in localized discourses on the city, through such emerging institutions as the museum, and the context of expanding migration and global works.

Long Title: CITY & FESTIVAL: CULT PRACTICES & THE ARCHITECTURAL PRODUCTION IN THE ANCIENT GRECO-ROMAN WORLD

Department: Art History

Grade Mode: Standard Letter

Course Type: Seminar

Credit Hours: 3

Description: How do social events, festivals, cult practices, public spectacles shape a city? The course will explore what makes a city in the first place, and attempt to make sense of the fragmentary archaeological evidence from the ancient Greco-Roman world in understanding, reconstructing cities. For each lecture, Graduate Students will be assigned additional readings. They will write an annotated bibliography of all these readings to be turned in at the end of the semester. We will meet for an additional every two or three weeks to discuss interpretive and methodological problems and ideas associated with the readings. Graduate Students will be expected to complete all the requirements of the class in addition to writing a substantial research paper due at the end of the semester.

Long Title: LITERATURE AND VISUAL ART

Department: Art History

Grade Mode: Standard Letter

Course Type: Seminar

Credit Hours: 3

Description: This course examines the relationship between literature and visual art. It covers a variety of textual and visual sources; theoretical materials will include works from literary studies, visual culture, art history, critical theory and aesthetics. Cross-list: ENGL 525. Repeatable for Credit.

Long Title: ISTANBUL - LIFE OF AN IMPERIAL CITY

Department: Art History

Grade Mode: Standard Letter

Course Type: Lecture

Credit Hours: 3

Description: Graduate Equivalent of HART 220. Additional requirements will include 3 - 7 to 8 page papers. These will include limited research, based on bibliography. The 3 papers will be in lieu of the 1 hours midterm and 1 hour final tests required for the 200 class. Cross-list: ARCH 520.

Long Title: IMPERIAL CITY: ISTANBUL 1453-1922

Department: Art History

Grade Mode: Standard Letter

Course Type: Seminar

Credit Hours: 3

Description: This thematic seminar examines significant historical moments in the architectural and urban cultural of the Ottoman imperial capital from the moment it was conquered until the demise of the Ottoman Empire. Weekly readings and discussions will cover a range of topics including building patronage, architectural decorum, the Byzantine legacy, artistic relations with Persia, India and Europe, cultural pluralism, neighborhood and public life, law and urban order, modernity and modernization. For each lecture, Graduate Students will be assigned additional readings. They will write an annotated bibliography of all these reading to be turned in at the end of the semester. We will meet at the end of the semester. We will meet for an additional every two or three weeks to discuss interpretive and methodological problems and ideas associated with the readings. Graduate Students will be expected to complete all the requirements of the class in addition to writing a substantial research paper due at the end of the semester. Cross-list: ARCH 521, Graduate/Undergraduate Equivalency: HART 321. Mutually Exclusive: Cannot register for HART 521 if student has credit for HART 321.

Long Title: JERUSALEM TO ISFAHAN

Department: Art History

Grade Mode: Standard Letter

Course Type: Seminar

Credit Hours: 3

Description: A seminar on key topics of the study of visual cultures in the medieval and early modern Muslim world focused on specific works of art. Politics of architectural patronage, dissemination of visual languages, calligraphy, "ornament" and figural representation in Islam, cross-cultural exchanges and trans-religious iconographies are among the topics discussed. For each lecture, Graduate Students will be assigned additional readings. They will write an annotated bibliography of all these reading to be turned in at the end of the semester. We will meet at the end of the semester. We will meet for an additional every two or three weeks to discuss interpretive and methodological problems and ideas associated with the readings. Graduate Students will be expected to complete all the requirements of the class in addition to writing a substantial research paper due at the end of the semester. Cross-list: ARCH 522, Graduate/Undergraduate Equivalency: HART 322. Mutually Exclusive: Cannot register for HART 522 if student has credit for HART 322.

Long Title: THE MEDITERRANEAN WORLD

Department: Art History

Grade Mode: Standard Letter

Course Type: Seminar

Credit Hours: 3

Description: Graduate seminar focused on significant moments of the history of cultural exchanges around the Mediterranean. Explores questions of reception, adoption and adaptation of artistic and architectural vocabularies, shifting secular and religious iconographic meanings, circulation of aesthetics and channels of exchange form the vantage point of medieval and early modern Muslim empires.

Long Title: THE PEN AND THE BRUSH: THE ARTS OF THE BOOK IN THE ISLAMIC WORLD

Department: Art History

Grade Mode: Standard Letter

Course Type: Seminar

Credit Hours: 3

Description: This course introduces the arts of the book in the Islamic world, from the earliest manifestations to printing. We will analyze Korans, scientific and pseudo-scientific manuscripts, illustrated literary texts, anthologies of poetry, albums, and consider techniques, materials, book formats, and schools of production. For each lecture, Graduate Students will be assigned additional readings. They will write an annotated bibliography of all the readings to be turned in at the end of the semester. We will meet for an additional two or three weeks to discuss the interpretive and methodological problems and ideas associated with the readings. Graduate students will be expected to complete all the requirements of the class in addition to writing a substantial research paper due at the end of the semester.

Long Title: LOOKING AT PRINTS 1400-1700

Department: Art History

Grade Mode: Standard Letter

Course Type: Seminar

Credit Hours: 3

Description: The class has several goals: to gain a thorough historical understanding of prints by major masters as Schongauer, Mantegna, Durer, and Rembrandt as well as more popular prints, explore key issues in the study of prints, such as how they revolutionized European culture, their patronage, markets, functions, and techniques; and to examine the prints first-hand. Graduate students are expected to complete all the requirements in addition to writing a substantial research paper due at the end of the semester. Graduate/Undergraduate Equivalency: HART 333. Mutually Exclusive: Cannot register for HART 525 if student has credit for HART 333.

Long Title: BRAZIL BUILT: THE CLINIC, THE TROPICAL AND THE AESTHETIC

Department: Art History

Grade Mode: Standard Letter

Course Type: Seminar

Credit Hours: 3

Description: From Brazil Builds, MOMA's 1943 celebrated exhibition to Brasilia, the supermodern capital created ex-nihilo in the middle of nowhere, to today's worldwide attention on Brail, this seminar examines the built environment - natural and architectural - as the main transmitter of modernism in Brazil. This is a seminar on Brazilian modernism and its discontents. Cross-list: ARCH 515, Graduate/Undergraduate Equivalency: HART 310. Mutually Exclusive: Cannot register for HART 526 if student has credit for HART 310.

Long Title: MIDDLE EASTERN CITIES - SPACE, MODERNITY AND MEMORY (1840-1945)

Department: Art History

Grade Mode: Standard Letter

Course Type: Seminar

Credit Hours: 3

Description: This seminar engages in debates about urban modernity focusing on three cities Istanbul, Cairo and Beirut. We examine these cities during the period of rapid modernization brought about by the Ottoman reforms of the 1840s and their post-Ottoman period. We will explore innovative methodologies to the study of Mediterranean cities by reflecting on the everyday life, the multiplicity of processes inherent to the shaping of urban space, questions of identities and concepts of citizenry, and the tensions playing out in the making of a modern urban order. Cross-list: ARCH 528.

Long Title: STREETS AND URBAN LIFE: PARIS TO ISTANBUL

Department: Art History

Grade Mode: Standard Letter

Course Type: Lecture

Credit Hours: 3

Description: For each lecture, Graduate Students will be assigned additional readings. They will write an annotated bibliography of all these readings to be turned in at the end of the semester. We will meet for an additional every two or three weeks to discuss interpretive and methodological problems and ideas associated with the readings. Graduate Students will be expected to complete all the requirements of the class in addition to writing a substantial research paper due at the end of the semester. Cross-list: ARCH 529, Graduate/Undergraduate Equivalency: HART 329. Mutually Exclusive: Cannot register for HART 529 if student has credit for HART 329.

Long Title: EARLY MEDIEVAL ART

Department: Art History

Grade Mode: Standard Letter

Course Type: Lecture

Credit Hours: 3

Description: For each lecture, Graduate Students will be assigned additional readings. They will write an annotated bibliography of all these readings to be turned in at the end of the semester. We will meet for an additional every two or three weeks to discuss interpretive and methodological problems and ideas associated with the readings. Graduate Students will be expected to complete all the requirements of the class in addition to writing a substantial research paper due at the end of the semester. Graduate/Undergraduate Equivalency: HART 330. Mutually Exclusive: Cannot register for HART 530 if student has credit for HART 330.

Long Title: GOTHIC ART

Department: Art History

Grade Mode: Standard Letter

Course Type: Lecture

Credit Hours: 3

Description: For each lecture, Graduate Students will be assigned additional readings. They will write an annotated bibliography of all these readings to be turned in at the end of the semester. We will meet for an additional every two or three weeks to discuss interpretive and methodological problems and ideas associated with the readings. Graduate Students will be expected to complete all the requirements of the class in addition to writing a substantial research paper due at the end of the semester. Graduate/Undergraduate Equivalency: HART 331. Mutually Exclusive: Cannot register for HART 531 if student has credit for HART 331.

Long Title: ART OF THE COURTS

Department: Art History

Grade Mode: Standard Letter

Course Type: Lecture

Credit Hours: 3

Description: For each lecture, Graduate Students will be assigned additional readings. They will write an annotated bibliography of all these readings to be turned in at the end of the semester. We will meet for an additional every two or three weeks to discuss interpretive and methodological problems and ideas associated with the readings. Graduate Students will be expected to complete all the requirements of the class in addition to writing a substantial research paper due at the end of the semester. Graduate/Undergraduate Equivalency: HART 332. Mutually Exclusive: Cannot register for HART 532 if student has credit for HART 332.

Long Title: THE BAYEUX TAPESTRY AND THE ANGLO-NORMAN WORLD

Department: Art History

Grade Mode: Standard Letter

Course Type: Seminar

Credit Hours: 3

Description: This course focuses on the most important secular work from the middle ages - a 230 foot long embroidery depicting the Battle of Hastings. This is a team-taught course that will examine both visual narrative of the tapestry and literary narrative in works such as the "Chanson de Roland," and the "Lais" and "Fables of Marie de France." All graduates will meet on a regular basis outside of the weekly class to discuss readings; must keep an annotated bibliography of all additional readings; will be assigned to lead a discussion on topic of their research; and must complete a substantial research paper. Cross-list: FREN 533, Graduate/Undergraduate Equivalency: HART 433. Mutually Exclusive: Cannot register for HART 533 if student has credit for HART 433.

Long Title: SEEING SEX IN EUROPEAN ART, 1400-1700

Department: Art History

Grade Mode: Standard Letter

Course Type: Lecture

Credit Hours: 3

Description: For each lecture, Graduate Students will be assigned additional readings. They will write an annotated bibliography of all these readings to be turned in at the end of the semester. We will meet for an additional every two or three weeks to discuss interpretive and methodological problems and ideas associated with the readings. Graduate Students will be expected to complete all the requirements of the class in addition to writing a substantial research paper due at the end of the semester. Cross-list: SWGS 534, Graduate/Undergraduate Equivalency: HART 434. Mutually Exclusive: Cannot register for HART 534 if student has credit for HART 434.

Long Title: MULTICULTURAL EUROPE, 1400-1700

Department: Art History

Grade Mode: Standard Letter

Course Type: Seminar

Credit Hours: 3

Description: The art of Europe was never the product of a single culture working in isolation. This seminar will explore the multicultural aspects of medieval and early modern Europe by focusing on the visual culture of groups who defined themselves or are today defined by nationality, race, or religion. For each lecture, Graduate Students will be assigned additional readings. They will write an annotated bibliography of all the readings to be turned in at the end of the semester. We will meet for an additional two or three weeks to discuss the interpretive and methodological problems and ideas associated with the readings. Graduate students will be expected to complete all the requirements of the class in addition to writing a substantial research paper due at the end of the semester. Graduate/Undergraduate Equivalency: HART 435. Mutually Exclusive: Cannot register for HART 535 if student has credit for HART 435.

Long Title: CINEMA AND THE CITY

Department: Art History

Grade Mode: Standard Letter

Course Type: Seminar

Credit Hours: 4

Description: For each lecture, Graduate Students will be assigned additional readings. They will write an annotated bibliography of all these readings to be turned in at the end of the semester. We will meet for an additional every two or three weeks to discuss interpretive and methodological problems and ideas associated with the readings. Graduate Students will be expected to complete all the requirements of the class in addition to writing a substantial research paper due at the end of the semester. Graduate/Undergraduate Equivalency: HART 336. Mutually Exclusive: Cannot register for HART 536 if student has credit for HART 336.

Long Title: VISUAL CULTURE OF MEDIEVAL PILGRIMAGE

Department: Art History

Grade Mode: Standard Letter

Course Type: Seminar

Credit Hours: 3 TO 4

Description: This seminar explores the rich visual culture associated with medieval pilgrimage between the 4th and 15th centuries. The experience of pilgrimage was shaped by symbols, images, and places encountered along the routes to sites of sacred significance, especially the Jerusalem, Rome, Santiago, and Canterbury. We will examine the theological, practical, visual, and experiential aspects of pilgrimage in Western Europe and the Holy Land as understood through material culture. For each lecture, Graduate Students will be assigned additional readings. They will write an annotated bibliography of all these readings to be turned in at the end of the semester. We will meet for an additional hour every two or three weeks to discuss interpretive and methodological problems and ideas associated with the readings. Graduate Students will be expected to complete all the requirements of the class in addition to writing a substantial research paper due at the end of the semester. Instructor Permission Required.Graduate/Undergraduate Equivalency: HART 437. Mutually Exclusive: Cannot register for HART 537 if student has credit for HART 437.

Long Title: RENAISSANCE GOTHIC ARCHITECTURE

Department: Art History

Grade Mode: Standard Letter

Course Type: Seminar

Credit Hours: 3

Description: This seminar will examine the architecture constructed in northern Europe between 1450 and 1550 bridging the gap between the end of the Middle Ages and the Early Modern Period. The ambiguous term of "Renaissance Gothic" has been coined to describe a form of architecture that straddles two fundamentally different periods with radically different approaches to the meaning, function and form of architecture. We will explore why and how Gothic architecture, the dominant style of church building for almost 350 years, was abandoned in favor of a new imported form.

Long Title: AMERICAN ART AND ARCHITECTURE I: 1620-1800

Department: Art History

Grade Mode: Standard Letter

Course Type: Lecture

Credit Hours: 3

Description: Painting, architecture, urban design, and the decorative arts in the colonies and early United States. Highlights will include design at Monticello and Mount Vernon; the portraiture of John Singleton Copley; Georgian and Federal-period architecture in Boston, New York, Williamsburg, and Philadelphia; and Spanish and Dutch colonial art and architecture. Graduate/Undergraduate Equivalency: HART 339. Mutually Exclusive: Cannot register for HART 539 if student has credit for HART 339.

Long Title: EARLY RENAISSANCE ART IN ITALY

Department: Art History

Grade Mode: Standard Letter

Course Type: Seminar

Credit Hours: 3

Description: Study of Italian art and architecture from Giotto to Botticelli, with emphasis on painting and sculpture in the 15th century. For each lecture, Graduate Students will be assigned additional readings. They will write an annotated bibliography of all these readings to be turned in at the end of the semester. We will meet for an additional every two or three weeks to discuss interpretive and methodological problems and ideas associated with the readings. Graduate students will be expected to complete all the requirements of the class in addition to writing a substantial research paper due at the end of the semester. Graduate/Undergraduate Equivalency: HART 341. Mutually Exclusive: Cannot register for HART 541 if student has credit for HART 341.

Long Title: THE HIGH RENAISSANCE AND MANNERISM IN ITALY

Department: Art History

Grade Mode: Standard Letter

Course Type: Lecture

Credit Hours: 3

Description: Study of the High Renaissance, with emphasis on its leading masters (e.g., Leonardo, Raphael, Bramante, Michelangelo, and Titian). Includes a study of mannerism, the stylish art produced after the first quarter of the 16th century. For each lecture, Graduate Students will be assigned additional readings. They will write an annotated bibliography of all these readings to be turned in at the end of the semester. We will meet for an additional every two or three weeks to discuss interpretive and methodological problems and ideas associated with the readings. Graduate Students will be expected to complete all the requirements of the class in additional to writing a substantial research paper due at the end of the semester. Graduate/Undergraduate Equivalency: HART 342. Mutually Exclusive: Cannot register for HART 542 if student has credit for HART 342.

Long Title: MASTERS OF THE BAROQUE ERA

Department: Art History

Grade Mode: Standard Letter

Course Type: Lecture

Credit Hours: 3

Description: Study of the works of the greatest painters and sculptors in Europe during the Baroque period. Includes Rembrandt, Rubens, Caravaggio, Poussin, Claude, and Velazquez. For each lecture, Graduate Students will be assigned additional readings. They will write an annotated bibliography of all these readings to be turned in at the end of the semester. We will meet for an additional every two or three weeks to discuss interpretive and methodological problems and ideals associated with the readings. Graduate Students will be expected to complete all the requirements of the class in addition to writing a substantial research paper due at the end of the semester. Graduate/Undergraduate Equivalency: HART 343. Mutually Exclusive: Cannot register for HART 543 if student has credit for HART 343.

Long Title: HISTORY & THEORY I (INTRODUCTION)

Department: Art History

Grade Mode: Standard Letter

Course Type: Lecture

Credit Hours: 3

Description: This introductory course exposes student's issues and debates that have driven architects and theorists from the early twentieth century to the present. The course is structured around a sequence of fourteen themes that have recurred as major issues throughout architectural history. Focusing on topics, ranging from representation, to media, to politics, urbanity, or the environment, teach theme is presented as a debate between differing viewpoints, in order to expose the positions that have motivated both theory and practice. In weekly discussion sections, we will be analyzing buildings and discussing canonical texts. These sections provide opportunities for students to develop their own positions on the issues debated, and to refine their ability to make arguments. Cross-list: ARCH 525, Graduate/Undergraduate Equivalency: HART 225. Mutually Exclusive: Cannot register for HART 545 if student has credit for HART 225.

Long Title: PICASSO, POLLOCK, WARHOL

Department: Art History

Grade Mode: Standard Letter

Course Type: Seminar

Credit Hours: 3

Description: This seminar will look in detail at three of the twentieth century's most important artists: Pablo Picasso, Jackson Pollock, and Andy Warhol. Our central focus in doing so will be painting, in particular, the means by which these three artists tested, expanded or even "destroyed" the medium. What did it mean to make (or reject) painting in 1910, 1950, and 1965? Special attention will be paid to recent scholarly literature and close looking at works in local collections. Graduate/Undergraduate Equivalency: HART 334. Mutually Exclusive: Cannot register for HART 546 if student has credit for HART 334.

Long Title: CONSTABLE AND TURNER

Department: Art History

Grade Mode: Standard Letter

Course Type: Seminar

Credit Hours: 3

Description: This seminar will explore critical issues surrounding the careers of John Constable and J.M.W. Turner, arguably the greatest landscape painters of the early 19th century. We will look at both similarities and differences in the work of these two rivals, while considering their work in the context of great historical change in England. Graduate students will be required to do additional reading in addition to those already assigned. Graduate/Undergraduate Equivalency: HART 357. Mutually Exclusive: Cannot register for HART 547 if student has credit for HART 357.

Long Title: A REVOLUTION FROM WITHIN: TRENDS IN CONTEMPORARY CUBAN CULTURE

Department: Art History

Grade Mode: Standard Letter

Course Type: Research

Credit Hours: 1

Description: This research seminar will explore contemporary trends in Cuban culture through literary texts, films, music and works of art. We will examine the ways in which politics and the practices of artistic representation intersect in post-revolutionary Cuba. A research trip to Cuba has been organized as part of this seminar. This course is taught in Spanish. Graduate students will be required to complete all the requirements for the course in addition to writing a substantial research paper at the end of the semester. This is the credit for the actual trip to Cuba. Graduate/Undergraduate Equivalency: HART 348. Mutually Exclusive: Cannot register for HART 548 if student has credit for HART 348.

Long Title: TECHNICAL ART HISTORY: STUDYING THE TECHNIQUES OF WESTERN PAINTING, 13TH-20TH CENTURIES

Department: Art History

Grade Mode: Standard Letter

Course Type: Lecture

Credit Hours: 3

Description: Art historians, especially in the United States, tend to rely on photographs, but a study of the actual object is invaluable in studying works of art. This course aims to inform students about the technical study of art, which in the last fifty years has become a major field of research. Most classes will be held at the Museum of Fine Arts, Houston, or other Houston collections. Graduate/Undergraduate Equivalency: HART 307. Mutually Exclusive: Cannot register for HART 549 if student has credit for HART 307.

Long Title: EIGHTEENTH CENTURY EUROPEAN ART

Department: Art History

Grade Mode: Standard Letter

Course Type: Lecture

Credit Hours: 3

Description: This course considers the painting, sculpture, architecture, decorative and graphic arts of the 1700s in relation to important social and ideological developments of the period. These include the decline of traditional patronage, the rising idea of an art public, and the spread of skeptical attitudes about received authority. Graduate/Undergraduate Equivalency: HART 320. Mutually Exclusive: Cannot register for HART 550 if student has credit for HART 320.

Long Title: MODELS OF ABSTRACTION

Department: Art History

Grade Mode: Standard Letter

Course Type: Lecture

Credit Hours: 3

Description: This course will examine a range of different models of abstract painting and sculpture as they appear throughout the twentieth century. Looking closely at the historical contexts that gave rise to abstraction particular attention will be paid to how apparently similar forms of abstraction can denote very different kinds of meaning. Graduate students will be expected to complete all the requirements of the class in addition to writing a substantial research paper due at the end of the semester. Graduate/Undergraduate Equivalency: HART 441. Mutually Exclusive: Cannot register for HART 551 if student has credit for HART 451.

Long Title: MANET(S) AND MODERNISM(S)

Department: Art History

Grade Mode: Standard Letter

Course Type: Seminar

Credit Hours: 3

Description: This seminar considers the pivotal figure of Edouard Manet. Combining a study of paintings from throughout his career, with close readings of primary sources, we will assess the key aspects of his style and subject matter. We will also consider art historical to his work and relationship to modernity. For each lecture, Graduate Students will be assigned additional readings. They will write an annotated bibliography of all these readings to be turned in at the end of the semester. We will meet for an additional every two or three weeks to discuss interpretive and methodological problems and ideals associated with the readings. Graduate Students will be expected to complete all the requirements of the class in addition to writing a substantial research paper due at the end of the semester. Graduate/Undergraduate Equivalency: HART 452. Mutually Exclusive: Cannot register for HART 552 if student has credit for HART 452.

Long Title: NORTHERN RENAISSANCE ART

Department: Art History

Grade Mode: Standard Letter

Course Type: Lecture

Credit Hours: 3

Description: Credit cannot be earned for HART 553 and HART 340.

Long Title: AGE OF ROMANTICISM IN EUROPE

Department: Art History

Grade Mode: Standard Letter

Course Type: Seminar

Credit Hours: 3

Description: This course will consider the emergence and flourishing of Romanticism in the visual arts in Europe. We will consider artists from France, Germany and Britain, including Eugene Delacroix, J.M.W. Turner, John Constable and Caspar David Friedrich. We will combine study of paintings with readings of contemporaneous philosophers and writers, including Hegel and Byron. For each lecture, Graduate Students will be assigned additional readings. They will write an annotated bibliography of all these readings to be turned in at the end of the semester. We will meet for an additional every two or three weeks to discuss interpretive and methodological problems and ideas associated with the readings. Graduate Students will be expected to complete all the requirements of the class in addition to writing a substantial research paper due at the end of the semester. Graduate/Undergraduate Equivalency: HART 354. Mutually Exclusive: Cannot register for HART 554 if student has credit for HART 354.

Long Title: JACQUES-LOUIS DAVID: REVOLUTION

Department: Art History

Grade Mode: Standard Letter

Course Type: Seminar

Credit Hours: 3

Description: For each lecture, Graduate Students will be assigned additional readings. They will write an annotated bibliography of all these readings to be turned in at the end of the semester. We will meet for an additional every two or three weeks to discuss interpretive and methodological problems and ideas associated with the readings. Graduate Students will be expected to complete all the requirements of the class in addition to writing a substantial research paper due at the end of the semester. Graduate/Undergraduate Equivalency: HART 355. Mutually Exclusive: Cannot register for HART 555 if student has credit for HART 355.

Long Title: COPLEY, SARGENT, AND THE MUSEUM

Department: Art History

Grade Mode: Standard Letter

Course Type: Seminar

Credit Hours: 3

Description: Drawing from the collections and resources of the Museum of Fine Arts, Houston, this course is designed to achieve two goals: (1) to provide an overview of the art and career of two American painters: the eighteenth-century colonial painter John Singleton Copley, and the late nineteenth-century expatriate painter, John Singer Sargent, focusing on the close examination of works of art on view at the MFAH, and (2) to introduce students to the history and culture of the art museum in the United States by using the MFAH as a laboratory for study. For each lecture, Graduate Students will be assigned additional readings. They will write an annotated bibliography of all the readings to be turned in at the end of the semester. We will meet for an additional two or three weeks to discuss the interpretive and methodological problems and ideas associated with the readings. Graduate students will be expected to complete all the requirements of the class in addition to writing a substantial research paper due at the end of the semester.

Long Title: VIDEO AND EXPANDED CINEMA

Department: Art History

Grade Mode: Standard Letter

Course Type: Seminar

Credit Hours: 3

Description: This seminar explores the emergence of video and "expanded cinema" as a primary field of artistic practice over the course of the 1960s and 1970s. We will examine seminal works by artists including Andy Warhol, Dan Graham, and Robert Whitman as well as the shifting aesthetic, political, and media landscapes in which this work emerged. For each lecture, Graduate students will be assigned readings. They will write an annotated bibliography of all the readings to be turned in at the end of the semester. We will meet for an additional two or three weeks to discuss the interpretive and methodological problems and ideas associated with the readings. Graduate students will be expected to complete all the requirements of the class in addition to writing a substantial research paper due at the end of the semester. Graduate/Undergraduate Equivalency: HART 457. Mutually Exclusive: Cannot register for HART 557 if student has credit for HART 457.

Long Title: IMPRESSIONISM AND POST-IMPRESSIONISM

Department: Art History

Grade Mode: Standard Letter

Course Type: Lecture

Credit Hours: 3

Description: This class will explore painting in France from approximately 1865 to 1900. Mixing lectures and classroom discussion, we will focus on individual artists including Claude Monet, Edgar Degas, Mary Cassatt, Georges Seurat, Vincent van Gogh, and Paul Czanne. We will also consider and discuss a set of critical issues surrounding these painters, including the politics of gender and class within the changing urban setting of Paris. For each lecture, Graduate Students will be assigned additional readings. They will write an annotated bibliography of all these readings to be turned in at the end of the semester. We will meet for an additional every two or three weeks to discuss interpretive and methodological problems and ideas associated with the readings. Graduate Students will be expected to complete all the requirements of the class in additional to writing a substantial research paper due at the end of the semester. Graduate/Undergraduate Equivalency: HART 358. Mutually Exclusive: Cannot register for HART 558 if student has credit for HART 358.

Long Title: ART OF THE 60s AND 70s

Department: Art History

Grade Mode: Standard Letter

Course Type: Seminar

Credit Hours: 3

Description: By all accounts the 1960s and 1970s marked one of the most vibrant, experimental, audacious, and - above all - contentious periods in the history of avant-garde modernism. This seminar will examine the momentous shift from the international dominance of American Abstract Expressionism in the 1950s to a wide array of global counter-movements in the 1960s and 70s. Possible topics include: Happenings, Minimalism, Fluxus, Conceptualism, Nouveau Realisme, Body Art, Structuralist Film, Gutai, Light and Space, Noeconretism, Arte Povera, The Situationist International, etc. Graduate students will be expected to complete all the requirements of the class in addition to writing a substantial research paper. Graduate/Undergraduate Equivalency: HART 461. Mutually Exclusive: Cannot register for HART 559 if student has credit for HART 461.

Long Title: AMERICAN ARCHITECTURE AND DECORATIVE ARTS BEFORE 1900

Department: Art History

Grade Mode: Standard Letter

Course Type: Lecture

Credit Hours: 3

Description: Major topics will include the furniture styles of early America, the architecture of colonial cities, the life, thought, and architectural ideas of Thomas Jefferson, urban design and building projects in Washington, D.C., and other U.S. cities, and domestic life and interior design in 19th century America. For each lecture, Graduate Students will be assigned additional readings. They will write an annotated bibliography of all these readings to be turned in at the end of the semester. We will meet for an additional every two or three weeks to discuss interpretive and methodological problems and ideas associated with the readings. Graduate Students will be expected to complete all the requirements of the class in addition to writing a substantial research paper due at the end of the semester. Cross-list: ARCH 560, Graduate/Undergraduate Equivalency: HART 360. Mutually Exclusive: Cannot register for HART 560 if student has credit for HART 360.

Long Title: LATE MODERN ART: 1945 - PRESENT

Department: Art History

Grade Mode: Standard Letter

Course Type: Seminar

Credit Hours: 3

Description: This course introduces the major developments, key figures and significant works of late Modernism. Covering a period from roughly 1945-Present, we will trace modernism's unfolding in the avant-garde practices of the 2nd half of the 20th century. Beginning with the shift from Paris to New York as the cultural center of the avant-garde, the rise of Abstract Expressionism & its divided legacies. For each lecture, Graduate Students will be assigned additional readings. They will write an annotated bibliography of all the readings to be turned in at the end of the semester. We will meet for an additional two or three weeks to discuss the interpretive and methodological problems and ideas associated with the readings. Graduate students will be expected to complete all the requirements of the class in addition to writing a substantial research paper due at the end of the semester. Graduate/Undergraduate Equivalency: HART 362. Mutually Exclusive: Cannot register for HART 562 if student has credit for HART 362.

Long Title: PRACTICING UTOPIA: ARCHITECTURE, EUGENICS AND THE MODERN LATIN CITY

Department: Art History

Grade Mode: Standard Letter

Course Type: Seminar

Credit Hours: 3

Description: This seminar will explore the alliance between aesthetics, science, and ideology at the core of French and Latin American modernism. Focusing on early twentieth-century scientific and cultural dialogues between France and Latin America, this seminar will have as main territories of exploration: Paris, Rio de Janeiro, Buenos Aires, Havana, and Caracas. Graduate/Undergraduate Equivalency: HART 463. Mutually Exclusive: Cannot register for HART 563 if student has credit for HART 463.

Long Title: MASS CULTURE & THE AVANT-GARDE

Department: Art History

Grade Mode: Standard Letter

Course Type: Seminar

Credit Hours: 3

Description: This seminar will explore the close relationship between mass culture and avant-garde art from the mid-nineteenth century to the present day. In particular, we will examine how artists have both borrowed from and reacted against mass cultural forms--from comic books to television--as a means to renew their practice. Artists to be considered include Gustave Courbet, Pablo Picasso, Kurt Schwitters, Andy Warhol, Cindy Sherman and others. For each lecture, Graduate Students will be assigned additional readings. They will write an annotated bibliography of all these readings to be turned in at the end of the semester. We will meet for an additional every two or three weeks to discuss interpretive and methodological problems and ideals associated with the readings. Graduate Students will be expected to complete all the requirements of the class in addition to writing a substantial research paper due at the end of the semester. Graduate/Undergraduate Equivalency: HART 460. Mutually Exclusive: Cannot register for HART 564 if student has credit for HART 460.

Long Title: A REVOLUTION FROM WITHIN: TRENDS IN CONTEMPORARY CUBAN CULTURE

Department: Art History

Grade Mode: Standard Letter

Course Type: Seminar

Credit Hours: 3

Description: This research seminar will explore contemporary trends in Cuban culture through literary texts, films, music and works of art. We will examine the ways in which politics and the practices of artistic representation intersect in post-revolutionary Cuba. A research trip to Cuba has been organized as part of this seminar. Course taught in Spanish. Graduate students will be expected to complete all the requirements of the course in addition to writing a research paper at the end of the semester. Instructor Permission Required.Graduate/Undergraduate Equivalency: HART 304. Mutually Exclusive: Cannot register for HART 565 if student has credit for HART 304.

Long Title: LATIN AMERICAN BODIES: ON MODERNISM

Department: Art History

Grade Mode: Standard Letter

Course Type: Seminar

Credit Hours: 3

Description: This seminar will examine theories and practices of modernism and modernization within Latin America-Europe Dialogues. Designed as a laboratory of ideas and forms, this seminar will probe critical perspectives on art and architecture’s relation to society and science. Each week, we will examine a theorist, an artist, and an architect. Graduate students will be expected to complete all the requirements in addition to writing a substantial research paper due at the end of the semester. Graduate/Undergraduate Equivalency: HART 465. Mutually Exclusive: Cannot register for HART 566 if student has credit for HART 465.

Long Title: NATURE IN-VITRO: BODIES, GARDENS AND BUILT FORMS

Department: Art History

Grade Mode: Standard Letter

Course Type: Seminar

Credit Hours: 3

Description: This seminar considers theories and narratives of nature in the crafting of modern and contemporary art and architecture in the Americas. We will travel from Humboldt's re-imagined geographies, Jean-Baptiste Lamark's re-formulated notions of milieu, and Xavier Bichat's re-conceptualized human body to 20th century earthworks and current obsessions with ecology and sustainability. Graduate/Undergraduate Equivalency: HART 467. Mutually Exclusive: Cannot register for HART 567 if student has credit for HART 467.

Long Title: FROM THE SUBLIME TO THE SUSTAINABLE: ART, ARCHITECTURE AND NATURE

Department: Art History

Grade Mode: Standard Letter

Course Type: Seminar

Credit Hours: 3

Description: This seminar considers theories and narratives of nature in the crafting of modern and contemporary art and architecture in the Americas. Artists and architects will include Maria Fernanda Cardoso, Rogelio Salmona (Colombia); Ana Mendieta, Ricardo Porro (Cuba); Ana Maria Tavaraes, Lina Bo Bardi (Brazil); Mark Dion and Buckminster Fuller (USA). For each lecture, Graduate Students will be assigned additional readings. They will write an annotated bibliography of all these readings to be turned in at the end of the semester. We will meet for an additional every two or three weeks to discuss interpretive and methodological problems and ideas associated with the readings. Graduate Students will be expected to complete all the requirements of the class in addition to writing a substantial research paper due at the end of the semester. Graduate/Undergraduate Equivalency: HART 302. Mutually Exclusive: Cannot register for HART 568 if student has credit for HART 302.

Long Title: (RE)DEFINING (CLASSICAL) ART HISTORY: DIVISION, CONNECTIVITY AND SHIFT IN THE ANCIENT MEDITERRANEAN

Department: Art History

Grade Mode: Standard Letter

Course Type: Seminar

Credit Hours: 3

Description: For 500 years scholars have cleaved Roman and Greek art from one another in order to define the heart of antiquity. The scholarship that created such division is the very scholarship that created the discipline of Art History and redefined it through iconographical, social historical and broadly theoretical analysis: Windelmann, Droysen, Brendel, Deleuze, Gell. In this seminar, we will question the disciplinary paradigm. Looking at art from around the Mediterranean and reading the very scholarship that has both created these definitions and questioned them, we will work toward a new way of conceiving the art of the Ancient Mediterranean world. Graduate/Undergraduate Equivalency: HART 369. Mutually Exclusive: Cannot register for HART 569 if student has credit for HART 369.

Long Title: CHINESE PAINTING

Department: Art History

Grade Mode: Standard Letter

Course Type: Lecture

Credit Hours: 3

Description: This course examines Chinese painting from ancient times to the early twentieth century. Issues of examination include themes, styles, and functions of Chinese painting; the interrelationship between paintings and the intended viewers; regionalism; images and words; foreign elements in Chinese painting. For each lecture, Graduate Students will be assigned additional readings. They will write an annotated bibliography of all these readings to be turned in at the end of the semester. We will meet for an additional every two or three weeks to discuss interpretive and methodological problems and ideas associated with the readings. Graduate Students will be expected to complete all the requirements of the class in additional to writing a substantial research paper due at the end of the semester. Graduate/Undergraduate Equivalency: HART 371. Mutually Exclusive: Cannot register for HART 571 if student has credit for HART 371.

Long Title: CHINESE ART AND VISUAL CULTURE

Department: Art History

Grade Mode: Standard Letter

Course Type: Lecture

Credit Hours: 3

Description: In this course, we will study how various artistic styles developed in historical, social and cultural contexts from the ancient period to the present day. Through the careful examination of architecture, calligraphy, painting, sculpture, ceramics, bronze, and film, students will gain a deeper understanding of Chinese art and visual culture. For each lecture, Graduate Students will be assigned additional readings. They will write an annotated bibliography of all the readings to be turned in at the end of the semester. We will meet for an additional two or three times to discuss the interpretive and methodological problems and ideas associated with the readings. Graduate students will be expected to complete all requirements of the class in addition to writing a substantial research paper due at the end of the semester. Graduate/Undergraduate Equivalency: HART 372. Mutually Exclusive: Cannot register for HART 572 if student has credit for HART 372.

Long Title: ART BETWEEN THE WARS: EUROPEAN MODERNISM, 1918-1940

Department: Art History

Grade Mode: Standard Letter

Course Type: Seminar

Credit Hours: 3

Description: Beginning in the aftermath of the First World War, a conflict that devastated the physical and psychological landscape of Europe, and ending with the rise of various totalitarian regimes (Fascism, Stalinism) this seminar will examine European art of the interwar period, from 1918-1940. Potential topics will include Surrealism, The Russian avant-garde, the return to order, Esprit-Nouveau, the machine aesthetic, De Stijl, avant-garde cinema, etc. Graduate/Undergraduate Equivalency: HART 365. Mutually Exclusive: Cannot register for HART 575 if student has credit for HART 365.

Long Title: EAST & WEST: MEDIEVAL VISUAL CULTURE IN CHINA AND NORTHERN EUROPE

Department: Art History

Grade Mode: Standard Letter

Course Type: Seminar

Credit Hours: 3

Description: This course explores a series of issues that are critically important for the medieval art of both China and northern Europe. Topics include materials and techniques; public and private art: commerce, technology and prints; art and motion; archaeology; paradise and hell; maps and space; the gaze; erotica; patronage; and multiculturalism. For each lecture, Graduate Students will be assigned additional readings. They will write an annotated bibliography of all these readings to be turned in at the end of the semester. We will meet for an additional hour every two or three weeks to discuss interpretive and methodological problems and ideas associated with the readings. Graduate Students will be expected to complete all the requirements of the class in addition to writing a substantial research paper due at the end of the semester. Graduate/Undergraduate Equivalency: HART 376. Mutually Exclusive: Cannot register for HART 576 if student has credit for HART 376.

Long Title: THE AGE OF REMBRANDT

Department: Art History

Grade Mode: Standard Letter

Course Type: Lecture

Credit Hours: 3

Description: This course will examine Dutch and Flemish seventeenth-century art, including major masters, such as Rembrandt, Rubens, and Vermeer, and major developments, such as the rise of still life, genre, and landscape painting. It will also explore women artists, Delft tiles, doll's houses, and multicultural aspects of art production. For each lecture, Graduate Students will be assigned additional readings. They will write an annotated bibliography of all these readings to be turned in at the end of the semester. We will meet for an additional every two or three weeks to discuss interpretive and methodological problems and ideas associated with the readings. Graduate students will be expected to complete all the requirements of the class in addition to writing a substantial research paper due at the end of the semester. Graduate/Undergraduate Equivalency: HART 378. Mutually Exclusive: Cannot register for HART 578 if student has credit for HART 378.

Long Title: POST-1945 JAPANESE ART & ARCHITECTURE

Department: Art History

Grade Mode: Standard Letter

Course Type: Seminar

Credit Hours: 3

Description: This course investigates post-1945 Japanese art and architecture, contextualized as part of the nation's modern history, and with a particular focus on the socially and politically turbulent decades of the 1950s and 60s. Using artistic collectivism as a methodology, the course examines a wide range of collaborations in visual art and architecture, as seen in exhibitions, performances, and publications. For each lecture, Graduate Students will be assigned additional readings. They will write an annotated bibliography of all these readings to be turned in at the end of the semester. We will meet for an additional every two or three weeks to discuss interpretive and methodological problems and ideas associated with the readings. Graduate Students will be expected to complete all the requirements of the class in addition to writing a substantial research paper due at the end of the semester. Cross-list: ARCH 571, Graduate/Undergraduate Equivalency: HART 379. Mutually Exclusive: Cannot register for HART 579 if student has credit for HART 379.

Long Title: COLLAGE AND ITS HISTORIES

Department: Art History

Grade Mode: Standard Letter

Course Type: Seminar

Credit Hours: 3

Description: This class will explore the centrality of collage to the development of the 20th century art and film. Beginning with the seminal achievements of Picasso and Braque, we will examine works across geographical and medium boundaries, including Dada photomontage, early avant-garde film, 1960s happenings, and the reformulation of collage aesthetics in 1980s postmodernism. For each lecture, Graduate students will be assigned additional readings. They will write an annotated bibliography of all the readings to be turned in at the end of the semester. We will meet for an additional two or three weeks to discuss the interpretive and methodological problems and ideas associated with the readings. Graduate students will be expected to complete all the requirements of the class in addition to writing a substantial research paper due at the end of the semester. Graduate/Undergraduate Equivalency: HART 381. Mutually Exclusive: Cannot register for HART 581 if student has credit for HART 381.

Long Title: CAESAR'S PALACE: AUTHOR(ITY) AND MEANING IN THE ROMAN IMPERIAL RESIDENCE

Department: Art History

Grade Mode: Standard Letter

Course Type: Lecture

Credit Hours: 3

Description: Described as both a “Hall of Despotism” and a “Citadel of Majesty” the palace of the Roman emperors is one of the great enigmas of antiquity. Its vast remains (larger than Versailles) are relatively well preserved, but it is poorly understood as part of the concept of emperorship. In this course we will examine the palace within the context of Imperial Roman art and politics; then we will dissect its meaning(s), the intentions of those who created it, and generally deconstruct it, brick by brick, to question agency and spatial experience from a macro-historical perspective. Graduate students will have additional readings. Graduate/Undergraduate Equivalency: HART 482. Mutually Exclusive: Cannot register for HART 582 if student has credit for HART 482.

Long Title: THE RISE OF CAPITALISM AND LATE MEDIEVAL AND EARLY MODERN ART

Department: Art History

Grade Mode: Standard Letter

Course Type: Lecture

Credit Hours: 3

Description: This course will explore how the rise of capitalism affected late medieval and early modern art. It will explore depictions of avarice, charity, and poverty; representations of shopping; how the rise of the art market affected art production; images of different socio-economic classes, and the material culture of money. Graduate/Undergraduate Equivalency: HART 364. Mutually Exclusive: Cannot register for HART 584 if student has credit for HART 364.

Long Title: DADA

Department: Art History

Grade Mode: Standard Letter

Course Type: Seminar

Credit Hours: 3

Description: Inaugurated against the calamitous backdrop of the First World War, "Dada," the artist Francis Picabia claimed, "smells of nothing, it is nothing, nothing, nothing." This seminar will examine the aesthetics of shock and nihilism (literally, 'nothingness'), developed by Dada in six cities: Zurich, Berlin, Colgne, Hannover, New York, and Paris. For each lecture Graduate Students will be assigned additional readings. They will write an annotated bibliography of all these readings to be turned in at the end of the semester. We will meet for an additional every two or three weeks to discuss interpretive and methodological problems and ideas associated with the readings. Graduate Students will be expected to complete all the requirements of the class in addition to writing a substantial research paper due at the end of the semester. Graduate/Undergraduate Equivalency: HART 386. Mutually Exclusive: Cannot register for HART 586 if student has credit for HART 386.

Long Title: LITERATURE, ART AND COLONIALITY

Department: Art History

Grade Mode: Standard Letter

Course Type: Seminar

Credit Hours: 4

Description: How do concepts like coloniality, exoticism, primitivism, the modern baroque apply to texts and artifacts produced at the crossroads of (post)colonial and transnational encounters? Focus on Orientalists, Matisse, Djebar, Simon, Boudjedra, Borduas, Atlan, Khadda, and Glissant. Taught in English. Choice of reading materials and assignments in either English or French. Cross-list: FREN 587, Graduate/Undergraduate Equivalency: HART 487. Mutually Exclusive: Cannot register for HART 587 if student has credit for HART 487.

Long Title: FILM MELODRAMA

Department: Art History

Grade Mode: Standard Letter

Course Type: Seminar

Credit Hours: 4

Description: Melodrama - the genre of tears, sensationalism and excess - has long been the focus of critical debates. Initially dismissed as mere escapism, melodrama films have begun to generate nuanced studies about their engagement with issues of gender, sexuality, class, and race. This seminar examines aesthetic, socio-political, and psychological dimensions of film melodrama, including historical works by Vidor, Sirk, Godard, and Fassbinder, as well as more recent projects by Haynes and Almodovar. For each lecture, Graduate Students will be assigned additional readings. They will write an annotated bibliography of all the readings to be turned in at the end of the semester. We will meet for an additional two or three times to discuss the interpretive and methodological problems and ideas associated with the readings. Graduate students will be expected to complete all the requirements of the class in addition to writing a substantial research paper due at the end of the semester. Mutually Exclusive: Cannot register for HART 589 if student has credit for HART 389.

Long Title: METHODS OF ART HISTORY

Department: Art History

Grade Mode: Standard Letter

Course Type: Seminar

Credit Hours: 3

Description: This seminar surveys approaches the study of art and visual culture from art history's origins as a discipline to the present day. We will study a range of works of art and interrogate many of the essential terms of art historical study. Frequent guest lectures will be featured. Instructor Permission Required.

Long Title: LATIN AMERICAN ART AND CINEMA SINCE 1960

Department: Art History

Grade Mode: Standard Letter

Course Type: Seminar

Credit Hours: 4

Description: This course examines the relationships between art and cinema in Latin America, providing an overview of key artists, movements, and films from Argentina, Brazil, Cuba, and Mexico from 1960 to present. Sessions include weekly film screenings and focus on research and discussions about topics including globalization, mass media, reception, and the social, economic, and political contexts around artistic production. Mutually Exclusive: Cannot register for HART 592 if student has credit for HART 392.

Long Title: WALTER BENJAMIN

Department: Art History

Grade Mode: Standard Letter

Course Type: Seminar

Credit Hours: 3

Description: This seminar will examine the key theoretical writings on media and modernity by Walter Benjamin, one of the first twentieth-century critics to place new forms of visual experience and technology at the center of his understanding of modern life. The course will pay particular attention to Benjamin's writings on urbanism, film and photography, and the ways in which these relate to avant-garde practices such as Dada, Surrealism, and New Objectivity (Neue Sachlichkeit). For each lecture, Graduate Students will be assigned additional readings. They will write an annotated bibliography of all these readings to be turned in at the end of the semester. We will meet for an additional hour every two or three weeks to discuss interpretive and methodological problems and ideas associated with the readings. Graduate Students will be expected to complete all the requirements of the class in addition to writing a substantial research paper due at the end of the semester. Graduate/Undergraduate Equivalency: HART 493. Mutually Exclusive: Cannot register for HART 593 if student has credit for HART 493.

Long Title: STUDIES IN CONTEMPORARY LITERATURE AND CULTURE

Department: Art History

Grade Mode: Standard Letter

Course Type: Lecture

Credit Hours: 3

Description: A variable topics course. Please consult the English department website for additional course information. Recent topics have included Global English; Globalization and its Discontents; and Critical Regionalisms. Cross-list: ENGL 594. Repeatable for Credit.

Long Title: FROM EXPRESSIONISM TO FASCISM: ART AND FILM IN GERMANY

Department: Art History

Grade Mode: Standard Letter

Course Type: Seminar

Credit Hours: 3

Description: Focusing on the tumultuous years of the Weimar Republic, this class will examine art and film in Germany from the birth of Expressionism through the end of the Nazi dictatorship. Topics covered will include Expressionism, Dada, the Bauhaus, and Fascist aesthetics. Particular attention will be paid to the relations between aesthetics and politics and art and everyday life, all central concerns of the art and criticism of the period. For each lecture, Graduate Students will be assigned additional readings. They will write an annotated bibliography of all these readings to be turned in at the end of the semester. We will meet for an additional every two or three weeks to discuss interpretive and methodological problems and ideas associated with the readings. Graduate students will be expected to complete all the requirements of the class in addition to writing a substantial research paper due at the end of the semester. Graduate/Undergraduate Equivalency: HART 398. Mutually Exclusive: Cannot register for HART 596 if student has credit for HART 398.

Long Title: SPECIAL TOPICS IN MUSEUM CURATORIAL STUDIES

Department: Art History

Grade Mode: Standard Letter

Course Type: Seminar

Credit Hours: 3

Description: Special Topics class taught by visiting Curators from the MFAH. SP 2015: Intro to Islamic Art at the MFAH: This course explores the dynamic, multifaceted character of Islamic art and architecture across the globe. Travel from Spain to India studying original art at the Museum of Fine Arts. Gain understanding of the historical, religious, social, craft, and visual contexts of the art. Graduate/Undergraduate Equivalency: HART 297. Mutually Exclusive: Cannot register for HART 597 if student has credit for HART 297.

Long Title: INDEPENDENT STUDY

Department: Art History

Grade Mode: Standard Letter

Course Type: Independent Study

Credit Hours: 3 TO 12

Description: Preparation for candidacy exams.

Long Title: INDEPENDENT STUDY

Department: Art History

Grade Mode: Standard Letter

Course Type: Independent Study

Credit Hours: 3 TO 12

Description: Prospectus research and writing.

Long Title: ADVANCED SEMINAR IN ARCHITECTURE

Department: Art History

Grade Mode: Standard Letter

Course Type: Seminar

Credit Hours: 3

Description: Small, focused, advanced discussion, workshop and/or design based courses on topics of recent research in architecture, delivered by RSA full time or visiting faculty. This seminar is open to RSA undergraduate students junior-level and above, and RSA graduate students. Students from other departments may enroll in the course with instructor permission. See the RSA website for more information: arch.rice.edu/courses. Space is limited and registration does not guarantee a space in this course. The final course roster is formulated on the first day class by the individual instructor. Cross-list: ARCH 612, Graduate/Undergraduate Equivalency: HART 412. Mutually Exclusive: Cannot register for HART 612 if student has credit for HART 412. Repeatable for Credit.

Long Title: MATERIAL, FORM, SPACE, TIME: CONCRETE AND THE REVOLUTION OF SPACE IN ANCIENT ROME

Department: Art History

Grade Mode: Standard Letter

Course Type: Lecture

Credit Hours: 3

Description: "Architectural Revolution" has been tied to Le Corbusier, the Eiffel Tower, the Louvre, Brunelleschi and to towering Gothic cathedrals. At the foundation of all these endeavors is the Concrete Revolution in Roman Architecture. In this course we'll look at the four essential elements of this revolution from the fourth century BCE to the fifth century CE, and we'll investigate how shifts in application and experience created a background that informs design to this day. Cross-list: ARCH 626, Graduate/Undergraduate Equivalency: HART 326. Mutually Exclusive: Cannot register for HART 626 if student has credit for HART 326.

Long Title: THE GENESIS OF ROMAN ART

Department: Art History

Grade Mode: Standard Letter

Course Type: Lecture

Credit Hours: 3

Description: This course explores the roots of the art and architecture of ancient Rome (ca. 600-200 BCE). In it we will examine the earliest vestiges of sculpture, painting and architecture from the Archaic and Classical periods to the twisted forms of Hellenistic conquest. You will grapple with the questions of cultural agency, connoisseurship, cultural interaction, network and object theories and spatial imagination to question standard narratives that divide Rome in this time from neighboring Greek polities. Graduate/Undergraduate Equivalency: HART 327. Mutually Exclusive: Cannot register for HART 627 if student has credit for HART 327.

Long Title: INDEPENDENT STUDY - FOURTEENTH CENTURY GOTHIC ARCHITECTURE

Department: Art History

Grade Mode: Standard Letter

Course Type: Independent Study

Credit Hours: 3

Description: Individual readings in 14th century gothic art and architecture. Instructor Permission Required.

Long Title: ISSUES IN THE HISTORY OF PRINTS, PRE-MODERN TO PRESENT

Department: Art History

Grade Mode: Standard Letter

Course Type: Lecture

Credit Hours: 3

Description: With their distinctive technical, social, and commercial associations, prints are often sidelined in traditional art histories. This course will introduce recent scholarship on the multiple image from the late middle ages to the present, with stress on the transformations of printmaking from the development of photography into our digital age. Graduate/Undergraduate Equivalency: HART 440. Mutually Exclusive: Cannot register for HART 640 if student has credit for HART 440.

Long Title: HISTORY AND THEORY II - PRE 1890

Department: Art History

Grade Mode: Standard Letter

Course Type: Lecture

Credit Hours: 3

Description: An in-depth exploration as to why select monuments from Antiquity through the 19th century were 'canonized' in popular imagination and given referential status. Following a case study format, each week will focus on a particular building, built or unbuilt, from both Western and Eastern traditions. Graduate students are expected to complete all the requirements of class in addition to writing a substantial research paper due at the end of the semester. Cross-list: ARCH 645.

Long Title: SCIENCE AND MEDICINE IN MEDIEVAL VISUAL CULTURE

Department: Art History

Grade Mode: Standard Letter

Course Type: Lecture

Credit Hours: 3

Description: This course focuses on the diverse and often unexpected forms of medieval representation that intersect with science, medicine, and natural history: maps, diagrams, images from health and surgery guides, encyclopedic compendia of animals and plants, astrolabes. Optics and theories of vision, and the ideals of naturalism and perspective, will be examined alongside issues such as function, cultural exchange, and intellectual authority. HART 650 will be expected to do additional readings and write a more extensive research paper. Graduate/Undergraduate Equivalency: HART 350. Mutually Exclusive: Cannot register for HART 650 if student has credit for HART 350.

Long Title: ART, REVOLUTION, WAR: MODERN ART IN VIOLENT TIMES

Department: Art History

Grade Mode: Standard Letter

Course Type: Seminar

Credit Hours: 3

Description: This seminar examines the ambition (or lack thereof) of modern art to play an active role during periods of violent conflict. From the French Revolution to the recent disastrous American engagements in the Middle East wars to the never-ending war on terror, artists have produced images that attempt to actively engage in these conflicts. This class will examine the relative successes and failures of art during times of violent revolution and war within the modern era. Graduate/Undergraduate Equivalency: HART 351. Mutually Exclusive: Cannot register for HART 651 if student has credit for HART 351.

Long Title: SPECIAL TOPICS: THE POLITICAL HISTORY OF ART BETWEEN THE WORLD WARS

Department: Art History

Grade Mode: Standard Letter

Course Type: Lecture

Credit Hours: 3

Description: This course focuses on art and architecture that intersected with the struggles between democracy, communism, and fascism. It will deal with prominent architects and artists who worked for or critiqued specific regimes. We will engage with fundamental political events in modern society - such as the Soviet Revolution, the rise of fascism in Italy, Hitler and the Jewish genocide, and democratic struggles of the Popular Front in France. Graduate students will be expected to complete all the requirements for the class in addition to writing a substantial research paper at the end of the semester.

Long Title: A VISUAL CULTURE TRAVELOGUE: ART AND POLITICS IN MODERN LATIN AMERICA

Department: Art History

Grade Mode: Standard Letter

Course Type: Lecture

Credit Hours: 3

Description: Providing an alternative understanding of modernity and its artistic partner, modernism, this survey course traverses the political, social and cultural landscapes that informed and formed the art and architecture of Latin America, from the early twentieth century to the present. Graduate students will be expected to write a more extensive research paper (20-25 page-long paper rather than the 8-10 page - paper required to undergraduate students. The use of primary sources is mandatory. Mutually Exclusive: Cannot register for HART 665 if student has credit for HART 265.

Long Title: INDEPENDENT STUDY IN FILM AND MEDIA STUDIES

Department: Art History

Grade Mode: Standard Letter

Course Type: Independent Study

Credit Hours: 1 TO 15

Description: Independent study, reading, or special research in film & media studies on the graduate level. Repeatable for Credit.

Long Title: SPECIAL TOPICS: HART IN THE WORLD

Department: Art History

Grade Mode: Standard Letter

Course Type: Away - Study Away

Credit Hours: 3

Description: SUMMER 2015: HART IN THE WORLD: ISTANBUL, THE CITY AND ITS HISTORY. A first-hand exploration of Istanbul, former capital of the Roman, Byzantine and Ottoman Empires and thriving cultural metropolis. The course will be conducted at different historical sites including the celebrated Hagia Sophia and Topkapi Palace and engage contemporary culture through exhibitions, performances and street life. This is a Special Topics course with locations changing annually. Priority given to HART majors. Funding possibilities provided. Students must contact instructors shirine@rice.edu and Umit.F.Acikgoz@rice.edu by February 15, before registration. Instructor Permission Required.Graduate/Undergraduate Equivalency: HART 397. Mutually Exclusive: Cannot register for HART 697 if student has credit for HART 397.

Long Title: SUMMER RESEARCH FOR Ph.D

Department: Art History

Grade Mode: Standard Letter

Course Type: Research

Credit Hours: 3 TO 12

Description: Summer Research of Ph.D.

Long Title: Ph.D. RESEARCH

Department: Art History

Grade Mode: Standard Letter

Course Type: Research

Credit Hours: 1 TO 9

Description: This may be taken each semester until the dissertation is completed. Repeatable for Credit.