Description: The first part of the course will examine the conceptual art practices that begin in the 1960s including: Bochner, Kosuth, Art and Language, LeWitt, Maacke, Kelly and Smithson. The second part of the course will focus on the question of what constitutes a conceptual architecture by interrogating a series of potential practices including: Super Studio, Archigram, Eisenman, Libesking, Shinohara, Heiduf, Tschumi and others. Graduate version of ARCH 384.