Course Catalog - 2010-2011

     

FSEM 101 - FRESHMAN SEMINAR: SOCRATES

Long Title: FRESHMAN SEMINAR: SOCRATES: THE MAN AND HIS PHILOSOPHY
Department: Humanities Division
Grade Mode: Standard Letter
Course Type: Seminar
Distribution Group: Distribution Group I
Credit Hours: 3
Description: This discussion-style seminar will consider how Socrates practiced philosophy, how Plato represented Socrates and Socratic philosophy in writing, and what effect Socrates had on Athens and his fellow Athenians. Readings will consist mainly of Plato's Socratic dialogues, with emphasis on the "Apology" and "Gorgias." In addition to papers, each participant will make one presentation and lead one discussion. This course is limited to first-year students only; any others will be removed from this course. Cross-list: CLAS 101.
 

FSEM 104 - READING AUTOBIOGRAPHY

Long Title: READING AUTOBIOGRAPHY
Department: Humanities Division
Grade Mode: Standard Letter
Course Type: Seminar
Distribution Group: Distribution Group I
Credit Hours: 3
Description: This freshman seminar is an exploration of the genre of Autobiography, from St. Augustine to the present, and serves as an introduction to critical issues of narrative and how it is deployed within different autobiographical texts. Emphasis on writing clear prose and development of literary analytical skills is also a primary component of this course. Open to first year students only, any and all others will be removed. Cross-list: ENGL 104.
Course URL: http://english.rice.edu
 

FSEM 105 - LANGUAGE, GENDER, & SEXUALITY

Long Title: LANGUAGE, GENDER, AND SEXUALITY
Department: Humanities Division
Grade Mode: Standard Letter
Course Type: Seminar
Distribution Group: Distribution Group I
Credit Hours: 3
Restrictions:
Must be enrolled in one of the following Class(es):
Freshman
Description: This course examines the role that gender, biological sex, and sexuality play in the language varieties that people use. We will see that although all cultures have specified gender roles, and all cultures mark gender through language varieties, those differences are not, I promise, what you think they are. This course is limited to first-year students only, any others will be removed from this course. Cross-list: LING 105, SWGS 105.
 

FSEM 106 - IMAGES OF WAR AND PEACE

Long Title: IMAGES OF WAR AND PEACE
Department: Humanities Division
Grade Mode: Standard Letter
Course Type: Seminar
Distribution Group: Distribution Group I
Credit Hours: 3
Description: In conjunction with an exhibition at the Museum of Fine Arts, this course will examine images of war and peace in Renaissance and Baroque Europe. It will explore images of battles, the hero, peace, and the miseries of war, and how the past affects ideas about war and peace today. This course is limited to first-year students only, any others will be removed from this course. Cross-list: HART 106.
 

FSEM 111 - MUSICAL LIVES

Long Title: MUSICAL LIVES
Department: Humanities Division
Grade Mode: Standard Letter
Course Type: Seminar
Distribution Group: Distribution Group I
Credit Hours: 3
Description: Musical biography tends to follow stereotypical patterns that depict composers as heroes who rebel against authority and live on the margins of society. This seminar will focus on the life stories and music of selected 18th and 19th century composers. No musical background necessary. This course is limited to first-year students only, any others will be removed from this course. Cross-list: MUSI 111.
 

FSEM 112 - GREAT LITERATURE IN GREAT MUSI

Long Title: GREAT LITERATURE IN GREAT MUSIC
Department: Humanities Division
Grade Mode: Standard Letter
Course Type: Seminar
Distribution Group: Distribution Group I
Credit Hours: 3
Description: A study of six famous literary works, from classical civilization to expressionism, and their incarnation in famous musical compositions. Authors include Vergil, Shakespeare, Beaumarchais, Pushkin, Goethe, and Buchner; paired pieces include operas by Berlioz, Verdi, Mozart, Tchaikovsky, Gounod, and Berg. No technical or reading knowledge of music is required. This course is limited to first-year students only, any others will be removed from this course. Cross-list: MUSI 112.
 

FSEM 115 - FRESHMAN BIOLOGY SEMINAR (BCB)

Long Title: FRESHMAN SEMINAR ON LOCAL BIOLOGY RESEARCH (BCB)
Department: Humanities Division
Grade Mode: Standard Letter
Course Type: Seminar
Distribution Group: Distribution Group III
Credit Hours: 1
Description: A 7-week seminar course to introduce freshmen prospective biologists to the excitement of research at Rice and the Medical Center and to provide context with which to think about facts presented in biosciences textbooks. Small groups will meet weekly with a graduate student or postdoctoral researcher to explore a published research article by a local lab, gaining background information about the subject and exposure to the research techniques. In the final session, the group will tour the lab that produced the featured article. Additional tours and activities TBA. All first-year non-transfer students are eligible to enroll in BIOC 115/FSEM 115 regardless of AP credit. This course meets in the second half of the semester and features research in the Department of Biochemistry and Cell Biology. Course organizers: Dereth Phillips and Bonnie Bartel. Cross-list: BIOC 115.
Course URL: http://www.bioc.rice.edu/bioc115/
 

FSEM 116 - FRESHMAN BIOLOGY SEMINAR (EEB)

Long Title: FRESHMAN SEMINAR ON LOCAL BIOLOGY RESEARCH (EEB)
Department: Humanities Division
Grade Mode: Standard Letter
Course Type: Seminar
Distribution Group: Distribution Group III
Credit Hours: 1
Description: A 5-week seminar course to introduce freshmen prospective biologists to the excitement of research at Rice and the Medical Center and to provide context with which to think about facts presented in biosciences textbooks. Small groups will meet weekly with a graduate student or postdoctoral researcher to explore a published research article by a local lab, gaining background information about the subject and exposure to the research techniques. In the final session, the group will tour the lab that produced the featured article. Additional tours and activities TBA. All first-year, non-transfer students are eligible to enroll in EBIO 116/FSEM 116 (formerly BIOS 116) regardless of AP credit. This course meets in the first half of the semester and features research in the Department of Ecology and Environmental Biology. Course organizers: Strassmann, Phillips. Cross-list: EBIO 116.
 

FSEM 118 - RUSSIAN REVOLUTION CULTURE

Long Title: CULTURE OF THE RUSSIAN REVOLUTION
Department: Humanities Division
Grade Mode: Standard Letter
Course Type: Seminar
Distribution Group: Distribution Group I
Credit Hours: 3
Description: Following the 1917 Revolution, Soviet society initiated radical experiments not only in political and governmental structures but in all aspects of culture and everyday life. This class will examine these developments focusing on avant-garde experiments in cinema, literature and the visual arts, as well as philosophical and political debates around the meaning of revolution itself. This course is limited to first-year students only, any other students will be removed from this course. Cross-list: HART 118.
 

FSEM 119 - FILM NOIR

Long Title: FILM NOIR
Department: Humanities Division
Grade Mode: Standard Letter
Course Type: Seminar
Credit Hours: 3
Description: Comprising some of the greatest Hollywood productions of the 1940s and 50s, film noir is characterized by its despairing moods, violent protagonists, femmes fatales and intricate criminal plots. This class will examine the formal and narrative conventions of film noir and explore its cultural and political contexts. Students will be introduced to different modes of filmic and cultural analysis. Films will include "The Maltese Falcon," "Double Indemnity," and "Scarlet Street," among others. This course is limited to first year students only, any others will be removed from this course. Cross-list: HART 119.
 

FSEM 121 - FROM KAFKA TO HOLOCAUST

Long Title: FROM KAFKA TO THE HOLOCAUST: DISCOURSE IN ALIENATION
Department: Humanities Division
Grade Mode: Standard Letter
Course Type: Seminar
Distribution Group: Distribution Group I
Credit Hours: 3
Description: The beginnings of modernity have to be seen in the context of the sociopolitical and intellectual upheavals at the end of the 19th century. Whereas extreme reactionism eventually led to fascism, progressive literature advocated artistic experimentation as manifested in a discourse of alienation (expressionism, dada, Kafka). Holocaust literature reflects the ultimate clash between progressiveness and reactionism. The primary readings will be from Wedekind, Trakl, Kaiser, Kafka, Hesse, Remarque, Brecht, Celan, Werfel. Taught in English. This course is limited to first year students only, any others will be removed from this course. Cross-list: GERM 121.
 

FSEM 122 - HIST THROUGH GERMAN CINEMA

Long Title: HISTORY THROUGH GERMAN CINEMA
Department: Humanities Division
Grade Mode: Standard Letter
Course Type: Seminar
Distribution Group: Distribution Group I
Credit Hours: 3
Description: The course presents an overview of German history via contemporary German feature films from World War I, through the Weimar and Nazi periods, the postwar years as a Divided Germany into East and West and finally a look at the new generation in Post-unification Germany. Taught in English. All films are subtitled in English. This course is limited to first year students only, any others will be removed from this course. Cross-list: GERM 122.
 

FSEM 123 - THROUGH TIME AND SPACE

Long Title: THROUGH TIME AND SPACE: EUROPEAN TRAVEL STORIES
Department: Humanities Division
Grade Mode: Standard Letter
Course Type: Seminar
Distribution Group: Distribution Group I
Credit Hours: 3
Description: A travel story stands at the beginning of European Literature: Homer's Odyssey. Since ancient times, literary travel accounts of all sorts, to all destinations, by all means and undertaken with a wide range of different purposes have kept Europeans on the move. First attracted by the exotic and the unknown in the far distance, the interest moved ever closer to the self, and the exploration of the human mind became the most exotic and intriguing journey. Readings include Homer, Swift, Voltaire, Goethe, Heine, Twain, and Verne. Taught in English. This course is limited to first-year students only, any others will be removed from this course. Cross-list: GERM 123.
 

FSEM 124 - LAW, MORALITY, AND SOCIETY

Long Title: LAW, MORALITY, AND SOCIETY
Department: Humanities Division
Grade Mode: Standard Letter
Course Type: Seminar
Distribution Group: Distribution Group I
Credit Hours: 3
Description: A historical introduction to central themes of legal and political thought in the Western tradition from Immanuel Kant to John Rawls, this freshman seminar provides an overview of trends and controversies in modern political thought and society. Topics discussed include "civil rights", "morality", "liberalism", "natural law", "political theology", and "freedom". Taught in English. This course is limited to first-year students only, any others will be removed from this course. Cross-list: GERM 124.
 

FSEM 125 - RESISTANCE AND COLLABORATION

Long Title: BETWEEN RESISTANCE AND COLLABORATION: INDIVIDUALS RESPONDING TO NATIONAL SOCIALISM
Department: Humanities Division
Grade Mode: Standard Letter
Course Type: Seminar
Distribution Group: Distribution Group I
Credit Hours: 3
Description: Focus on individuals' behavior in Nazi Germany/Austria. Issues of ideology and ethics as Germans and Austrians faced them between 1933-1945. Reflection on values such as courage, civil disobedience, and human rights in today's global society. Taught in English. This course is limited to first-year students only, any others will be removed from this course. Cross-list: GERM 125.
 

FSEM 126 - LEGEND OF KING ARTHUR

Long Title: THE LEGEND OF KING ARTHUR IN THE MIDDLE AGES
Department: Humanities Division
Grade Mode: Standard Letter
Course Type: Seminar
Distribution Group: Distribution Group I
Credit Hours: 3
Description: In the 1100's people began writing down stories of Arthur, Guinevere, Merlin, and the Knights of the round table using sophisticated techniques of literary composition. Today, these stories count among the great writings of Europe. This course examines the spectrum of medieval stories and histories of Arthur that arose in England, France, and Germany from the beginning to the age of printing, plus some recent revivals. This course is limited to first-year students only, any others will be removed from this course. Cross-list: GERM 126, MDST 126.
 

FSEM 127 - IN THE MATRIX

Long Title: IN THE MATRIX: ON HUMAN BONDAGE AND LIBERATION
Department: Humanities Division
Grade Mode: Standard Letter
Course Type: Seminar
Distribution Group: Distribution Group I
Credit Hours: 3
Description: Using the film "The Matrix" as a point of reference, this course presents celebrated explorations of servitude and emancipation -- from religious mysticism to Marxism and artistic modernism. Texts by Lao Tzu, Farid ud-Din Attar, Plato, Freud, Marx, Beaudelaire, J.S. Mill, Proust, de Beauvoir, Malcolm, Baudrillard. Course taught in English. This course is limited to first-year students only, any others will be removed from this course. Cross-list: FREN 127.
 

FSEM 128 - THE CULTURE OF WAR

Long Title: THE CULTURE OF WAR: VIOLENCE, CONFLICT AND REPRESENTATION
Department: Humanities Division
Grade Mode: Standard Letter
Course Type: Seminar
Distribution Group: Distribution Group I
Credit Hours: 3
Description: Focusing on the experience and representation of war in German and European literature, theory, and visual arts. Covers the period from 17th-20th century. Special emphasis on the First World War. Not for the faint-hearted, topics included: destruction, ruins, refugees, massacres, terrorism, victims, spaces of battle, the logic of war. Taught in English. This course is limited to first-year students only, any others will be removed from this course. Cross-list: GERM 128.
 

FSEM 129 - LITERARY LOVE AFFAIRS

Long Title: LITERARY LOVE AFFAIRS: LOVE AND PASSION IN EUROPEAN LITERATURE
Department: Humanities Division
Grade Mode: Standard Letter
Course Type: Seminar
Distribution Group: Distribution Group I
Credit Hours: 3
Description: According to the German philosopher Hegel, love-stories are usually about a young man who seeks the ideal girl, finally gets her, and becomes as good a Philistine as others. Students examine this philosophical wisdom by reading stories and theoretical texts about love and passion by European authors from the time of Shakespeare to the present. Taught in English. This course is limited to first-year students only, any others will be removed from this course. Cross-list: GERM 129.
 

FSEM 130 - WOMEN AND NATIONAL SOCIALISM

Long Title: WOMEN AND NATIONAL SOCIALISM
Department: Humanities Division
Grade Mode: Standard Letter
Course Type: Seminar
Distribution Group: Distribution Group I
Credit Hours: 3
Description: Introduction to the Nazi idea of "womanhood" and the actual roles women played during National Socialism. Female perpetrators, Mitlaufer, a multiplicity of victims, and to resistance fighters. Taught in English. This course is limited to first-year students only, any others will be removed from this course. Cross-list: GERM 130, SWGS 130.
 

FSEM 132 - NATIONAL SOCIALISM AND FILM

Long Title: NATIONAL SOCIALISM AND FILM
Department: Humanities Division
Grade Mode: Standard Letter
Course Type: Seminar
Distribution Group: Distribution Group I
Credit Hours: 3
Description: This course explores films made in Nazi Germany as well as films about Nazi Germany and the corresponding crisis of justice in the mid-twentieth century. We will analyze cinematic responses to the rise of the fascist movement, World War II, the Holocaust, and the post-war years. Particular attention will be paid to the value of film as propagandistic tool, ways in which it can configure and contest our image of national identity, and the relation between mass manipulation and mass murder. Taught in English. This course is limited to first year students only, any others will be removed from this course. Cross-list: GERM 132.
 

FSEM 133 - AMERICA THROUGH FRENCH EYES

Long Title: AMERICA THROUGH FRENCH EYES
Department: Humanities Division
Grade Mode: Standard Letter
Course Type: Lecture
Distribution Group: Distribution Group I
Credit Hours: 3
Description: The United States has always been a source of fascination -- both attraction and revulsion -- for the French. This course aims to understand American culture and identity as revealed by transatlantic encounters with the French. We will study French intellectuals' observations from Tocqueville to Simone de Beauvoir as well as images of America in French popular culture. This course is limited to first-year students only, any others will be removed from this course. Cross-list: FREN 133.
 

FSEM 136 - GERMAN FILM

Long Title: GERMAN FILM
Department: Humanities Division
Grade Mode: Standard Letter
Course Type: Seminar
Distribution Group: Distribution Group I
Credit Hours: 3
Description: "From Caligari to Hitler" -and beyond. In the vein of the title of a well-known study on German film during the Weimar Republic the course offers a cinematographic history of German and European politics and culture from the early Expressionist silent movies on the award winning "Life of Others." Taught in English. This course is limited to first-year students only, any others will be removed from this course. Cross-list: GERM 136.
 

FSEM 139 - LANGUAGE ENDANGERMENT

Long Title: LANGUAGE ENDANGERMENT LOSS AND REVITALIZATION
Department: Humanities Division
Grade Mode: Standard Letter
Course Type: Seminar
Distribution Group: Distribution Group I
Credit Hours: 3
Description: In this course we will investigate the issues surrounding language endangerment, loss and revitalization. Using a seminar format, we will explore topics that include linguistic diversity, the implications of language loss, how researchers approach language documentation and description and look at revitalization efforts. This course is limited to first year students only, any others will be removed from this course. Cross-list: LING 139.
 

FSEM 140 - THE WORLD OF BILINGUALS

Long Title: THE COGNITIVE AND SOCIOCULTURAL WORLDS OF BILINGUALS AND MULTILINGUALS
Department: Humanities Division
Grade Mode: Standard Letter
Course Type: Seminar
Distribution Group: Distribution Group I
Credit Hours: 3
Description: This course uses a seminar format to investigate the multiple ways in which the psychological and social worlds of bilinguals and multilinguals may differ from that of monolinguals. It covers a large range of topics from the purely cognitive, (how the various components of language are stored and accessed), to more socio-cultural (cultural identity and role switching) or political ones (bilingual education). This course is limited to first-year students only; any others will be removed from the course. Cross-list: LING 140.
 

FSEM 144 - ARAB-ISRAELI CONFLICT

Long Title: FRESHMAN SEMINAR: THE ARAB-ISRAELI CONFLICT
Department: Humanities Division
Grade Mode: Standard Letter
Course Type: Seminar
Distribution Group: Distribution Group I
Credit Hours: 3
Description: Seminar traces the history and politics of the Arab-Israeli conflict, delving into both Palestinian and Israeli understandings of the past and present using books, documentaries, and films. The course seeks to understand how and at what costs Israeli and Palestinian nationalism's have been constructed and analyzes U.S. involvement in the conflict. This course is limited to first-year students only, any others will be removed from this course. Cross-list: HIST 144.
 

FSEM 150 - BORGES AND CORTAZAR

Long Title: LATIN AMERICAN SHORT FICTION (EMPHASIS ON BORGES AND CORTAZAR)
Department: Humanities Division
Grade Mode: Standard Letter
Course Type: Seminar
Distribution Group: Distribution Group I
Credit Hours: 3
Description: Readings of classic works of short fiction by modern Latin American masters, with special emphasis on the stories of Jorge Luis Borges and Julio Cortazar. Close reading, interpretation and appreciation of stories (in English translation) will be the focus of class discussion, presentations and short interpretive essays. Taught in English. Open to first-year students only, any others will be removed. Cross-list: SPAN 150.
 

FSEM 151 - THE HERO & HIS COMPANION

Long Title: FRESHMAN SEMINAR: THE HERO AND HIS COMPANION FROM GILGAMESH TO SAM SPADE
Department: Humanities Division
Grade Mode: Standard Letter
Course Type: Seminar
Distribution Group: Distribution Group I
Credit Hours: 3
Description: How does presentation of heroic action illustrate the basic values of society? Historical sources including ancient texts, modern mystery stories, and two "western" movies, show the development of a style of community service linking heroism with alienation. The extent to which women participate will be traced. This course is limited to first-year students only, any others will be removed from this course. Cross-list: HIST 151.
 

FSEM 152 - HISPANIC ESSAY

Long Title: HISPANIC ESSAY
Department: Humanities Division
Grade Mode: Standard Letter
Course Type: Seminar
Distribution Group: Distribution Group I
Credit Hours: 3
Description: Readings in English from major modern Spanish and Latin-American essayists, including Miguel de Unamuno, Jose Ortega y Gassset, Maria Zambrano, Jose Marti, Jose Enrique Rodo, Alfonso Reyes, Victoria Ocampo, Fernando Savater, Ariel Dorfman, Roger Bartra, et al. Close reading, discussion and short interpretive papers. Taught in English. This course is limited to first-year students only, any others will be removed from this course. Cross-list: SPAN 152.
 

FSEM 153 - DON QUIXOTE

Long Title: DON QUIXOTE
Department: Humanities Division
Grade Mode: Standard Letter
Course Type: Seminar
Distribution Group: Distribution Group I
Credit Hours: 3
Description: The class will involve close reading and interpretation of Cervantes's immortal novel, "Don Quixote de la Mancha," voted "the best book of all time." Taught in English. This course is limited to first-year students only, any others will be removed from this course. Cross-list: SPAN 153.
 

FSEM 154 - LATIN AMERICAN CONFESSIONS

Long Title: LATIN AMERICAN CONFESSIONS: AUTOBIOGRAPHICAL FICTION IN MODERN LATIN AMERICA
Department: Humanities Division
Grade Mode: Standard Letter
Course Type: Seminar
Distribution Group: Distribution Group I
Credit Hours: 3
Description: Readings of intimate, first person fictions (short stories, novels) by modern Latin American writers, including Carlos Fuentes, Gabriel Garcia Marquez, and other, lesser known authors from the Southern Cone, Colombia, and Mexico. Critical approaches will include anthropological, feminist, and post-modern readings. Close reading, interpretation and appreciation of (fictional) autobiography - in English translation - will be the focus of class discussion, presentations and critical essays. Taught in English. Open to first-year students only, any others will be removed. Cross-list: ARCR 154.
 

FSEM 155 - THE INVENTION OF AFRICA

Long Title: FRESHMAN SEMINAR: THE INVENTION OF AFRICA
Department: Humanities Division
Grade Mode: Standard Letter
Course Type: Seminar
Distribution Group: Distribution Group I
Credit Hours: 3
Description: Freshman seminar course traces Western perceptions of Africa as a geographic, political, and racial entity, from ancient times to the present day through a variety of media, including ancient texts, travelogues, maps, slave narratives, novels, films, museum exhibits in Houston, and journalists' reports. This course is limited to first-year students only, any others will be removed from this course. Cross-list: HIST 155.
 

FSEM 156 - MOD LATIN AMER ART: MEXICO

Long Title: MODERN LATIN AMERICAN ART: MEXICO IN THE MODERN AGE
Department: Humanities Division
Grade Mode: Standard Letter
Course Type: Lecture
Distribution Group: Distribution Group I
Credit Hours: 3
Description: This course examines Latin American Art of the nineteenth and twentieth centuries, the eras of independence and revolution. We will examine such topics as art and nationalist discourse; legitimation/appropriation of the past; gender; art, dictatorship and revolution; surrealism; indigenism and social realism; the politics of muralism; plus modernism and alternative modernisms. Taught in English Open to first year students only, any and all others will be removed. Cross-list: SPAN 156.
 

FSEM 159 - LEGENDARY AMERICANS

Long Title: FRESHMAN SEMINAR: LEGENDARY AMERICANS
Department: Humanities Division
Grade Mode: Standard Letter
Course Type: Seminar
Distribution Group: Distribution Group I
Credit Hours: 3
Description: Exploration of popular myths surrounding larger-than-life figures like Davy Crockett and Harriet Tubman. Specific figures vary. Through scholarly readings and analysis of cultural artifacts like songs and films, we will consider why and how such figures become iconic and explore the relations between history, biography, and memory. This course is limited to first year students only; any other students will be removed from this course. Cross-list: HIST 159.
 

FSEM 160 - THOMAS JEFFERSON

Long Title: FRESHMAN SEMINAR: THOMAS JEFFERSON, THE AMERICAN REVOLUTION, AND THE USES OF THE PAST
Department: Humanities Division
Grade Mode: Standard Letter
Course Type: Seminar
Distribution Group: Distribution Group I
Credit Hours: 3
Description: Seminar will focus on three dimensions of Thomas Jefferson's life and legacy: first, what he said and did in the American Revolution; second, how he has been understood by historians; and third, how his words, ideas, and actions have been used by successive generations of Americans. This course is limited to first-year students only, any others will be removed from this course. Cross-list: HIST 160.
 

FSEM 161 - THE USES OF THE PAST

Long Title: FRESHMAN SEMINAR: THE USES OF THE PAST
Department: Humanities Division
Grade Mode: Standard Letter
Course Type: Lecture
Distribution Group: Distribution Group I
Credit Hours: 3
Description: Seminar analyzes how selected historical events are interpreted at different times and contexts. Sources include history books, novels, movies, court cases and political debates. Specific events studied will vary according to student interest from ancient times to the present. This course is limited to first-year students only, any others will be removed from this course. Cross-list: HIST 161.
 

FSEM 162 - DEMOCRACY AND DIFFERENCE

Long Title: DEMOCRACY AND DIFFERENCE
Department: Humanities Division
Grade Mode: Standard Letter
Course Type: Seminar
Distribution Group: Distribution Group I
Credit Hours: 3
Description: What is the relationship between democracy and freedom? Democracy and justice? What does "government by the people" actually mean, and how have people imagined this differently across time? This seminar uses political theory, history, fiction and film to examine how democracy and democratic politics can enable ( or undermine) human well being. This course is limited to first-year students only, any others will be removed from this course. Cross-list: DUNC 162, HIST 162.
 

FSEM 163 - BROWN V. BOARD

Long Title: FRESHMAN SEMINAR: BROWN V. BOARD
Department: Humanities Division
Grade Mode: Standard Letter
Course Type: Seminar
Distribution Group: Distribution Group I
Credit Hours: 3
Description: A first year seminar examining the origins and legacies of the civil rights case that all but defined the parameters of modern American society and race relations. Where did the case come from? How was it argued and decided? What have been its consequences? This course is limited to first-year students only, any others will be removed from this course. Cross-list: HIST 163.
 

FSEM 164 - WHO IS (NOT) A JEW?

Long Title: WHO IS (NOT) A JEW?
Department: Humanities Division
Grade Mode: Standard Letter
Course Type: Seminar
Distribution Group: Distribution Group I
Credit Hours: 3
Description: Explore problems with identity--ethnic, political, spiritual-- in the case of the other Jew. Consider themes of anti-Semitism and philosemitism, insider and outsider, tradition and innovation. Examine competing views purveyed through diverse media such as literature, film, art, and music. Selected texts from St. Paul, Shakespeare, Dickens, Marx, George Eliot, Freud, Chagall, Cynthia Ozick, Bob Dylan, and Woody Allen. This course is limited to first year students only, any others will be removed from this course. Cross-list: RELI 164.
 

FSEM 165 - THE FRENCH REVOLUTION

Long Title: FRESHMAN SEMINAR: THE FRENCH REVOLUTION-HISTORIES AND LEGACIES
Department: Humanities Division
Grade Mode: Standard Letter
Course Type: Seminar
Distribution Group: Distribution Group I
Credit Hours: 3
Description: Freshman seminar will focus on the French Revolution and the era of Napoleon Bonaparte, 1789-1815. Lectures address three main topics: the history of the Revolution and its main actors; the diverging interpretations offered by historians; and the multiple legacies of the revolutionary period in the modern era. This course is limited to first-year students only, any others will be removed from this course. Cross-list: HIST 165.
 

FSEM 167 - NEWTON & THE 18TH CENTURY

Long Title: NEWTON AND THE 18TH CENTURY
Department: Humanities Division
Grade Mode: Standard Letter
Course Type: Seminar
Distribution Group: Distribution Group I
Credit Hours: 3
Description: Newton was the indispensable starting point for 18th century thought from the physical sciences to medicine and the so-called Ahuman sciences. Seminar will consider Newton and the complex legacy of his thought in other 18th century thinkers: Locke, Leibniz, Boerhaave, Voltaire, D'Alembert, Hume, Maupertuis, Buffon, Kant, Priestley, Blake and Goethe. This course is limited to first-year students only, any others will be removed from this course. Cross-list: HIST 167.
 

FSEM 171 - BODY & COSMOS IN MIDDLE AGES

Long Title: THE BODY AND THE COSMOS IN THE MIDDLE AGES
Department: Humanities Division
Grade Mode: Standard Letter
Course Type: Seminar
Distribution Group: Distribution Group I
Credit Hours: 3
Description: What shaped medieval Christian notions of the body? How did common experiences of pain, sexuality, childbirth, and death refract the grasp of larger concepts - God, time, and the cosmos? This seminar will explore the issues connecting body to cosmos through close reading of medieval literary, mystical, and autobiographical texts. Cross-list: RELI 171.
 

FSEM 176 - TERROR & AFRICAN AMERICAN HIST

Long Title: FRESHMAN SEMINAR: TERROR AND AFRICAN AMERICAN HISTORY
Department: Humanities Division
Grade Mode: Standard Letter
Course Type: Seminar
Distribution Group: Distribution Group I
Credit Hours: 3
Description: From the 1880's to 1968, lynch mobs murdered nearly 5,000 African-Americans Terror and black responses to it have shaped nearly every aspect of African American history. Seminar examines black society, politics, gender, and culture in 20th century America against the backdrop of racial violence. This course is limited to first year students only, any others will be removed from this course. Cross-list: HIST 176.
 

FSEM 177 - VESPUCCI'S MAP?

Long Title: VESPUCCI'S MAP?
Department: Humanities Division
Grade Mode: Standard Letter
Course Type: Seminar
Distribution Group: Distribution Group I
Credit Hours: 3
Description: Part history of cartography; part historical detective work, this seminar will examine the first maps of the Americas and consider if an anonymous map of c. 1502-1506 might have been drawn by Amerigo Vespucci, whose influential letters shaped European thinking about the new world. This course is limited to first-year students only, any others will be removed. Cross-list: HIST 177.
 

FSEM 180 - STAGING HISTORY-EUROPE & OPERA

Long Title: STAGING HISTORY - EUROPE AND OPERA
Department: Humanities Division
Grade Mode: Standard Letter
Course Type: Seminar
Distribution Group: Distribution Group I
Credit Hours: 3
Description: This course proposes to survey major moments and movements in European history from the medieval period through the twentieth century. The operatic reception of history will be explored in order to understand how European artists have viewed their own historical narrative, and so that together we might come to some conclusions concerning the dramaticity of history.