Course Catalog - 2008-2009

     

FILM 225 - INTRO TO FILMMAKING & EDITING

Long Title: INTRODUCTION TO FILMMAKING AND EDITING
Department: *Visual and Dramatic Arts*
Grade Mode: Standard Letter
Course Type: Lecture/Laboratory
Credit Hours: 3
Description: This course introduces the student to filmmaking in general through specific techniques of digital video production. The emphasis in this class will be the medium as a means of effective storytelling through the craft of filmmaking. All aspects of production will be discussed, including preproduction and postproduction. Core topics will include the basic principles and operation of digital video cameras, lighting instruments, and audio recording gear; concepts and practical use of nonlinear digital editing gear, planning and scripting using applications of various filmmaking techniques; and delivery of a finished project.
 

FILM 273 - INTRODUCTION TO FILM

Long Title: INTRODUCTION TO FILM
Department: *Visual and Dramatic Arts*
Grade Mode: Standard Letter
Course Type: Seminar
Credit Hours: 4
Description: A writing-intensive course that teaches students to view films analytically and to write film criticism. Each week, students will view a film, read criticism of that film, and write their own review of the film. Screenings will be taken from important movements in world cinema history. Cross-list: ENGL 275, HART 285.
 

FILM 280 - HISTORY & AESTHETICS OF FILM

Long Title: HISTORY & AESTHETICS OF FILM
Department: *Visual and Dramatic Arts*
Grade Mode: Standard Letter
Course Type: Seminar
Distribution Group: Distribution Group I
Credit Hours: 4
Description: Introduction to the art and aesthetics of film as an artifact produced within certain social contexts. Includes style, narrative, mise-en-scene, editing, sound, and ideology in classical Hollywood cinema, as well as in independent, alternative, nonfiction, and Third World cinemas. Cross-list: ARTS 280, HART 280.
 

FILM 284 - NONFICTION FILM

Long Title: NONFICTION FILM
Department: *Visual and Dramatic Arts*
Grade Mode: Standard Letter
Course Type: Seminar
Credit Hours: 4
Description: Introduction to the history and aesthetics of nonfiction film as both a social artifact and as a work of art. Includes discussions of actualities, the city film, the social documentary, surrealist cinema, propaganda, ethnography, the essay film, and the contemporary nonfiction film from around the world. Cross-listed with HART 284.
 

FILM 296 - SPECIAL PROBLEMS: FILM & VIDEO

Long Title: SPECIAL PROBLEMS IN FILM &VIDEOTAPE MAKING
Department: *Visual and Dramatic Arts*
Grade Mode: Standard Letter
Course Type: Independent Study
Credit Hours: 1 TO 3
Description: Study of problems in film and film production. Topics may vary. Please consult with the department for additional information. May be used in awarding transfer credit. Prerequisite: permission of instructor. Instructor Permission Required. Repeatable for Credit.
 

FILM 327 - DOCUMENTARY PRODUCTION

Long Title: DOCUMENTARY PRODUCTION
Department: *Visual and Dramatic Arts*
Grade Mode: Standard Letter
Course Type: Lecture/Laboratory
Credit Hours: 3
Description: Study of the expressive possibilities of documentary production using digital systems. Space in studio classes is limited. Registration does not guarantee a place in class. The class roster is formulated on the first day of class by the individual instructor. Cross-list: ARTS 327.
 

FILM 328 - FILMMAKING I

Long Title: FILMMAKING I
Department: *Visual and Dramatic Arts*
Grade Mode: Standard Letter
Course Type: Lecture/Laboratory
Credit Hours: 3
Description: Dramatic film production class that requires the making of one digital video and one 16mm film. Space in studio classes is limited. Registration does not guarantee a place in class. The class roster is formulated on the first day of class by the individual instructor. Cross-list: ARTS 328.
 

FILM 329 - FILM FORM

Long Title: FILM FORM
Department: *Visual and Dramatic Arts*
Grade Mode: Standard Letter
Course Type: Seminar
Credit Hours: 3
Description: Viewing, analysis, and discussion of modern and classic films. Space in studio classes is limited. Registration does not guarantee a place in class. The class roster is formulated on the first day of class by the individual instructor. Cross-list: ARTS 329.
 

FILM 336 - CINEMA AND THE CITY

Long Title: CINEMA AND THE CITY
Department: *Visual and Dramatic Arts*
Grade Mode: Standard Letter
Course Type: Seminar
Credit Hours: 3
Description: This class explores representations of the city in 20th century European and American cinema, considering such diverse films as Dziga Vertov's "Man with the Movie Camera," Jules Dassin's "The Naked City," Fritz Lang's "M," and Tom Tykwer's "Run Lola Run." Central concerns will include the city as cinematic protagonist, parallels between urban and cinematic space, and the intertwined histories of both film and urban design over the last century. Cross-list: HART 336.
 

FILM 337 - HISTORY OF RUSSIAN CINEMA

Long Title: HISTORY OF RUSSINA CINEMA
Department: *Visual and Dramatic Arts*
Grade Mode: Standard Letter
Course Type: Seminar
Credit Hours: 3
Description: This class surveys the history of Russian/Soviet cinema from the beginning of the 20th century to the present. We will examine films as part of the broader political and social history of this period, paying particular attention to such issues as aesthetics and politics, entertainment and propaganda, history and memory, and gender and sexuality. Cross-list: HART 337.
 

FILM 373 - SURVEY OF AMER FILM & CULTURE

Long Title: SURVEY OF AMERICAN FILM AND CULTURE
Department: *Visual and Dramatic Arts*
Grade Mode: Standard Letter
Course Type: Seminar
Distribution Group: Distribution Group I
Credit Hours: 4
Description: A course that explores the history of cinema in the U.S. from its origins to the present day. Cross-list: ENGL 373, HART 380.
 

FILM 382 - MODALITIES OF CINEMA

Long Title: MODALITIES OF CINEMA
Department: *Visual and Dramatic Arts*
Grade Mode: Standard Letter
Course Type: Lecture
Credit Hours: 3
Description: In this course we will survey the range of organizing principles of cinema- the differing and combative ways cinema arranges its images and sounds. We will look at classicism, modernism, postmodernism and many other modes. The films will range from early silent pictures, to experimental shorts, to commercial blockbusters. Cross-list: HART 382.
 

FILM 383 - GLOBAL CINEMA

Long Title: GLOBAL CINEMA
Department: *Visual and Dramatic Arts*
Grade Mode: Standard Letter
Course Type: Seminar
Credit Hours: 4
Description: This course introduces students to cinema as a global enterprise. It explores the relationship between nations, identities, races, concepts, and genres. It inquires into the question of globalization as it relates to the motion picture audience, corporations, and the commerce of ideas. Instructor Permission Required.Cross-list: HART 383.
 

FILM 387 - INTRO TO VIDEO AND INSTALL ART

Long Title: INTRODUCTION TO EXPERIMENTAL VIDEO AND INSTALLATION ART
Department: *Visual and Dramatic Arts*
Grade Mode: Standard Letter
Course Type: Lecture/Laboratory
Credit Hours: 3
Description: Learn to create unique experiences by sculpting time and space. With an emphasis on production and practice, this course introduces students to installation art and non-traditional, experimental uses of video, including non-linear narrative, experimental documentary, and video art. Students will learn the basic tools and techniques of digital video production and work with a wide range of materials and media to create installation works on the Rice campus. Students will also be asked to engage and experiment with the visual language of video by working to complete a number of short projects that will be critiqued in class. In addition to short reading and writing assignments, we will look at a variety of video art and installation works from the 1960s to the present.
 

FILM 388 - POST-WAR EUROPEAN CINEMA

Long Title: FIL
Department: *Visual and Dramatic Arts*
Grade Mode: Standard Letter
Course Type: Seminar
Credit Hours: 4
Description: This class surveys major developments in European cinema from the late 1940s to the late 1960s. Our study will include such movements as Italian Neorealism, German Rubble Films, French New Wave, and Soviet cinema in the Thaw. Particular attention will be paid to such issues as cinema and post-war reconstruction, memory and nation, and body and space. Crosslisted with HART 388.
 

FILM 396 - SPEC. PROB: FILM & VIDEO

Long Title: SPECIAL PROBLEMS IN FILM & VIDEOTAPE MAKING
Department: *Visual and Dramatic Arts*
Grade Mode: Standard Letter
Course Type: Independent Study
Credit Hours: 1 TO 6
Description: Study of problems in film and film production. Topics may vary. Please consult with the department for additional information. May be used in awarding transfer credit. Prerequisite: permission of instructor. Instructor Permission Required. Repeatable for Credit.
 

FILM 427 - ADVANCED FILMMAKING

Long Title: ADVANCED FILMMAKING
Department: *Visual and Dramatic Arts*
Grade Mode: Standard Letter
Course Type: Lecture/Laboratory
Credit Hours: 3
Description: Advanced documentary production using digital camera and editing systems. Continuation of FILM 327. Space in studio classes is limited. Registration does not guarantee a place in class. The class roster is formulated on the first day of class by the individual instructor. Cross-list: ARTS 427.
 

FILM 428 - FILMMAKING II

Long Title: FILMMAKING II
Department: *Visual and Dramatic Arts*
Grade Mode: Standard Letter
Course Type: Laboratory
Credit Hours: 3
Description: Completion of one major film project by each student, using either video or 16mm film. Space in studio classes is limited. Registration does not guarantee a place in class. The class roster is formulated on the first day of class by the individual instructor. Cross-list: ARTS 428.
 

FILM 432 - FILM GENRE: THE WESTERN

Long Title: FILM GENRE: THE WESTERN
Department: *Visual and Dramatic Arts*
Grade Mode: Standard Letter
Course Type: Seminar
Distribution Group: Distribution Group I
Credit Hours: 3
Description: Survey of the essential American film experience spanning all the years of U.S. cinema, with emphasis on the western and its mythic function in society. Space in studio classes is limited. Registration does not guarantee a place in class. The class roster is formulated on the first day of class by the individual instructor. Cross-list: ARTS 432.
 

FILM 435 - SEMINAR ON FILM AUTHORSHIP

Long Title: SEMINAR ON FILM AUTHORSHIP: THE NEW HOLLYWOOD
Department: *Visual and Dramatic Arts*
Grade Mode: Standard Letter
Course Type: Seminar
Credit Hours: 4
Description: This seminar covers the concept of authorship in Hollywood cinema since 1968. Filmmakers include Francis Ford Coppola, David Lynch, The Coen Brothers, and Charlie Kauffman. Cross-list: ARTS 435, HART 480.
 

FILM 456 - SPECIAL PROBLEM: FILMMAKING

Long Title: SPECIAL PROBLEMS IN FILMMAKING
Department: *Visual and Dramatic Arts*
Grade Mode: Standard Letter
Course Type: Independent Study
Credit Hours: 1 TO 6
Description: Study of advanced problems in film and film production. Topics may vary. Please consult with the department for additional information. May be used in awarding transfer credit. Instructor Permission Required. Repeatable for Credit.
 

FILM 483 - DOCUMENTARY & ETHNOGRAPH FILM

Long Title: DOCUMENTARY AND ETHNOGRAPHIC FILM
Department: *Visual and Dramatic Arts*
Grade Mode: Standard Letter
Course Type: Seminar
Credit Hours: 4
Description: Overview of the history of documentary and ethnographic cinema from a worldwide perspective. Includes both canonical and alternative films and film movements with emphasis on the shifting and overlapping boundaries of fiction and nonfiction genres.